The Construction of Hybrid Identities and Homelands in Jumpa Lahiri’s “Once in a Lifetime” and Uva de Aragon’s Memoria del Silencio

In “Once in a Lifetime” (2009) written by Jhumpa Lahiri and Memoria del Silencio (2002) by Uva de Aragón, we are introduced to the life stories of two young girls as members of the Bengal and the Cuban diasporas since both girls migrate, due to different reasons, to the U.S.A. From the postcolonial...

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Autor principal: Mora, Marianela
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro de Investigaciones de la Facultad de Lenguas (CIFAL), Facultad de Lenguas, Universidad Nacional de Córdoba. Avenida Enrique Barros s/n, Ciudad Universitaria. Córdoba, Argentina. Correo electrónico: revistacylc@lenguas.unc.edu.ar 2015
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Acceso en línea:https://revistas.unc.edu.ar/index.php/CultyLit/article/view/13226
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spelling I10-R337-article-132262018-09-17T10:19:46Z The Construction of Hybrid Identities and Homelands in Jumpa Lahiri’s “Once in a Lifetime” and Uva de Aragon’s Memoria del Silencio Conformaciones de identidades y hogares híbridos en “Once in a Lifetime” de Jhumpa Lahiri y Memoria del Silencio de Uva de Aragón Mora, Marianela cultura diáspora hogares híbridos identidad postcolonialismo culture diaspora hybrid homes identity postcolonialism In “Once in a Lifetime” (2009) written by Jhumpa Lahiri and Memoria del Silencio (2002) by Uva de Aragón, we are introduced to the life stories of two young girls as members of the Bengal and the Cuban diasporas since both girls migrate, due to different reasons, to the U.S.A. From the postcolonial perspective proposed by Madan Sarup in Identity, Culture and the Postmodern World (1996) I will analyze the basic and intimate sphere of the concept of “home” and how this concept turns into a hybrid space where different and, sometimes, opposed values, habits and customs coexist and, at the same time, influence and shape the subjectivities that emerge in those places Tanto en “Once in a Lifetime” (2009) de Jhumpa Lahiri como en Memoria del Silencio (2002) de Uva de Aragón, se presenta la historia de jóvenes que relatan sus experiencias como integrantes de la diáspora bengalí y la diáspora cubana, respectivamente, dado que las jóvenes deben, por diversos motivos, migrar a los Estados Unidos de Norteamérica. Desde el enfoque postcolonial propuesto por Madan Sarup en Identity, Culture and the Postmodern World (1996) se abordará la esfera íntima y elemental del “hogar” y cómo dicho concepto se torna un espacio híbrido donde conviven valores, hábitos y costumbres disímiles y, en ocasiones, opuestos entre sí, y que, necesariamente, influyen en las subjetividades que allí emergen. Centro de Investigaciones de la Facultad de Lenguas (CIFAL), Facultad de Lenguas, Universidad Nacional de Córdoba. Avenida Enrique Barros s/n, Ciudad Universitaria. Córdoba, Argentina. Correo electrónico: revistacylc@lenguas.unc.edu.ar 2015-12-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf text/html https://revistas.unc.edu.ar/index.php/CultyLit/article/view/13226 Revista de Culturas y Literaturas Comparadas; Vol. 5 (2015): Las culturas y las literaturas en contextos transnacionales. 2591-3883 1852-4737 spa https://revistas.unc.edu.ar/index.php/CultyLit/article/view/13226/13425 https://revistas.unc.edu.ar/index.php/CultyLit/article/view/13226/19414 Derechos de autor 2015 Marianela Mora
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-337
container_title_str Revista de Culturas y Literaturas Comparadas
language Español
format Artículo revista
topic cultura
diáspora
hogares híbridos
identidad
postcolonialismo
culture
diaspora
hybrid homes
identity
postcolonialism
spellingShingle cultura
diáspora
hogares híbridos
identidad
postcolonialismo
culture
diaspora
hybrid homes
identity
postcolonialism
Mora, Marianela
The Construction of Hybrid Identities and Homelands in Jumpa Lahiri’s “Once in a Lifetime” and Uva de Aragon’s Memoria del Silencio
topic_facet cultura
diáspora
hogares híbridos
identidad
postcolonialismo
culture
diaspora
hybrid homes
identity
postcolonialism
author Mora, Marianela
author_facet Mora, Marianela
author_sort Mora, Marianela
title The Construction of Hybrid Identities and Homelands in Jumpa Lahiri’s “Once in a Lifetime” and Uva de Aragon’s Memoria del Silencio
title_short The Construction of Hybrid Identities and Homelands in Jumpa Lahiri’s “Once in a Lifetime” and Uva de Aragon’s Memoria del Silencio
title_full The Construction of Hybrid Identities and Homelands in Jumpa Lahiri’s “Once in a Lifetime” and Uva de Aragon’s Memoria del Silencio
title_fullStr The Construction of Hybrid Identities and Homelands in Jumpa Lahiri’s “Once in a Lifetime” and Uva de Aragon’s Memoria del Silencio
title_full_unstemmed The Construction of Hybrid Identities and Homelands in Jumpa Lahiri’s “Once in a Lifetime” and Uva de Aragon’s Memoria del Silencio
title_sort construction of hybrid identities and homelands in jumpa lahiri’s “once in a lifetime” and uva de aragon’s memoria del silencio
description In “Once in a Lifetime” (2009) written by Jhumpa Lahiri and Memoria del Silencio (2002) by Uva de Aragón, we are introduced to the life stories of two young girls as members of the Bengal and the Cuban diasporas since both girls migrate, due to different reasons, to the U.S.A. From the postcolonial perspective proposed by Madan Sarup in Identity, Culture and the Postmodern World (1996) I will analyze the basic and intimate sphere of the concept of “home” and how this concept turns into a hybrid space where different and, sometimes, opposed values, habits and customs coexist and, at the same time, influence and shape the subjectivities that emerge in those places
publisher Centro de Investigaciones de la Facultad de Lenguas (CIFAL), Facultad de Lenguas, Universidad Nacional de Córdoba. Avenida Enrique Barros s/n, Ciudad Universitaria. Córdoba, Argentina. Correo electrónico: revistacylc@lenguas.unc.edu.ar
publishDate 2015
url https://revistas.unc.edu.ar/index.php/CultyLit/article/view/13226
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first_indexed 2024-09-03T21:18:58Z
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