A reading of El Che Amor (1965): the fracture of guerrilla emotionality in the affective poetics of ALberto Szpunberg
The synthesis of affect and gender as categories of criticism enable disruptive readings that hack the consolidated speech around canonized cultural formations. Such is the case of the Latin American revolutionary epic of the sixties, which is built around the figure of Guevara's new man. After...
Guardado en:
| Autor principal: | |
|---|---|
| Formato: | Artículo revista |
| Lenguaje: | Español |
| Publicado: |
Área Feminismos, Género y Sexualidades del Centro de Investigaciones "María Saleme de Burnichón" de la Facultad de Filosofía y Humanidades, Universidad Nacional de Córdoba
2022
|
| Materias: | |
| Acceso en línea: | https://revistas.unc.edu.ar/index.php/polemicasfeminista/article/view/39384 |
| Aporte de: |
| Sumario: | The synthesis of affect and gender as categories of criticism enable disruptive readings that hack the consolidated speech around canonized cultural formations. Such is the case of the Latin American revolutionary epic of the sixties, which is built around the figure of Guevara's new man. After emphasizing the ability of a body to affect and be affected, this article seeks to analyze the way in which the Argentine writer Alberto Szpunberg (1940-2020) develops in El che amor (1965) a poetics capable of affecting the legitimate circulation of emotions of guerrilla masculinity from embodied performances. |
|---|