Regal Serialities. Tv Series And Scenographies Of Female Body.

The recent rights acquisition of the novel Santa Evita (1995) by FOX inaugurates a productive scenario to attend to certain displacement of senses at a cross-cultural level. In terms of a cultural semiotics, translation appears as a privileged category to evaluate these spaces of active dialogue tha...

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Autor principal: Gómez Ponce, Ariel
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro de Producción e Investigación en Artes, Facultad de Artes, Universidad Nacional de Córdoba. 2018
Materias:
series de tv
semiótica de la cultura
traducción
corporalidad
Eva Perón
tv series
cultural semiotics
translation
corporeality
Acceso en línea:https://revistas.unc.edu.ar/index.php/ART/article/view/21067
Aporte de:
Artilugio de Universidad Nacional de Córdoba
id I10-R361-article-21067
record_format ojs
spelling I10-R361-article-210672023-02-09T22:57:27Z Regal Serialities. Tv Series And Scenographies Of Female Body. Serialidades regias. Series televisivas y escenografías del cuerpo femenino. Gómez Ponce, Ariel series de tv semiótica de la cultura traducción corporalidad Eva Perón tv series cultural semiotics translation corporeality Eva Perón The recent rights acquisition of the novel Santa Evita (1995) by FOX inaugurates a productive scenario to attend to certain displacement of senses at a cross-cultural level. In terms of a cultural semiotics, translation appears as a privileged category to evaluate these spaces of active dialogue that show the dynamism of art texts and the way in which they become semiotic customs for an adaptive elaboration. From this perspective, the complex text of Eloy Martínez offers multiple angles that, assembled in his narrative, translate the myth of Evita from a problematic that also seems to be a reiterative of North American TV series: the political construction of the female body. Our objective is to propose a provisional note to think about the semiotic functions that cross the distances between physical body and political body, around an "exceptional" female subject in recent narratives as House of Cards (2013) and The Crown (2016). Our hypothesis holds that these aesthetic routes seem to be paving the way for a new international translation of Eva Perón. In this sense, Santa Evita would be drawing symbolic lines that fit an idea of corporality and scenography of power that the contemporary political-aesthetic order puts into question. La reciente adquisición de los derechos de la novela Santa Evita (1995) por parte de FOX inaugura un escenario productivo para atender a ciertos desplazamientos de sentidos a nivel transcultural. En términos de una semiótica-cultural, la traducción aparece como una categoría privilegiada para evaluar estos espacios de diálogo activo que arrostran el dinamismo de los textos del arte y el modo en que devienen aduanas semióticas para una elaboración adaptativa. Desde esta perspectiva, el complejo texto de Eloy Martínez ofrece múltiples ángulos que, ensamblados en su narrativa, traducen el mito de Evita a partir de una problemática que también parece ser recurrente de las series de TV norteamericanas: la construcción política del cuerpo femenino. Nuestro objetivo radica en proponer un apunte provisorio para pensar las funciones semióticas que atraviesan, en narrativas recientes como House of Cards (2013) y The Crown (2016), las distancias entre cuerpo físico y cuerpo político de un sujeto femenino “excepcional”. Nuestra hipótesis de lectura sostiene que estos recorridos estéticos parecen estar abonando el terreno para interpelar una nueva traducción internacional de Eva Perón. En tal sentido, Santa Evita estaría trazando líneas simbólicas que se ajustan a una idea de corporalidad y de escenografía del poder que el orden político-estético contemporáneo pone en cuestión. Centro de Producción e Investigación en Artes, Facultad de Artes, Universidad Nacional de Córdoba. 2018-09-03 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Double-blind peer-reviewed article Artículo revisado por sistema de pares doble ciego application/pdf https://revistas.unc.edu.ar/index.php/ART/article/view/21067 10.55443/artilugio.n4.2018.21067 Artilugio; No. 4 (2018): Policies of the Living; 50-65 Artilugio; Núm. 4 (2018): Políticas de lo vivo; 50-65 Artilugio; n. 4 (2018): Políticas de lo vivo; 50-65 2408-462X 10.55443/artilugio.n4.2018 spa https://revistas.unc.edu.ar/index.php/ART/article/view/21067/20668 Derechos de autor 2018 Artilugio
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-361
container_title_str Artilugio
language Español
format Artículo revista
topic series de tv
semiótica de la cultura
traducción
corporalidad
Eva Perón
tv series
cultural semiotics
translation
corporeality
Eva Perón
spellingShingle series de tv
semiótica de la cultura
traducción
corporalidad
Eva Perón
tv series
cultural semiotics
translation
corporeality
Eva Perón
Gómez Ponce, Ariel
Regal Serialities. Tv Series And Scenographies Of Female Body.
topic_facet series de tv
semiótica de la cultura
traducción
corporalidad
Eva Perón
tv series
cultural semiotics
translation
corporeality
Eva Perón
author Gómez Ponce, Ariel
author_facet Gómez Ponce, Ariel
author_sort Gómez Ponce, Ariel
title Regal Serialities. Tv Series And Scenographies Of Female Body.
title_short Regal Serialities. Tv Series And Scenographies Of Female Body.
title_full Regal Serialities. Tv Series And Scenographies Of Female Body.
title_fullStr Regal Serialities. Tv Series And Scenographies Of Female Body.
title_full_unstemmed Regal Serialities. Tv Series And Scenographies Of Female Body.
title_sort regal serialities. tv series and scenographies of female body.
description The recent rights acquisition of the novel Santa Evita (1995) by FOX inaugurates a productive scenario to attend to certain displacement of senses at a cross-cultural level. In terms of a cultural semiotics, translation appears as a privileged category to evaluate these spaces of active dialogue that show the dynamism of art texts and the way in which they become semiotic customs for an adaptive elaboration. From this perspective, the complex text of Eloy Martínez offers multiple angles that, assembled in his narrative, translate the myth of Evita from a problematic that also seems to be a reiterative of North American TV series: the political construction of the female body. Our objective is to propose a provisional note to think about the semiotic functions that cross the distances between physical body and political body, around an "exceptional" female subject in recent narratives as House of Cards (2013) and The Crown (2016). Our hypothesis holds that these aesthetic routes seem to be paving the way for a new international translation of Eva Perón. In this sense, Santa Evita would be drawing symbolic lines that fit an idea of corporality and scenography of power that the contemporary political-aesthetic order puts into question.
publisher Centro de Producción e Investigación en Artes, Facultad de Artes, Universidad Nacional de Córdoba.
publishDate 2018
url https://revistas.unc.edu.ar/index.php/ART/article/view/21067
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AT gomezponceariel serialidadesregiasseriestelevisivasyescenografiasdelcuerpofemenino
first_indexed 2024-09-03T22:27:57Z
last_indexed 2024-09-03T22:27:57Z
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