Between mask, body and scene.: Unmasking the birth of a play

The text thoughtfully explores the progress of meanings rhizomatically expanded throughout the rehearsals of a project, “Opaque and Neutral Masks: from the self-cognitive training to the composition of scenic material”. The aim of this work is to look into the ways ideas and emotions that are part o...

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Autores principales: Glave, Julián, Goldraij, Valentina
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro de Producción e Investigación en Artes, Facultad de Artes, Universidad Nacional de Córdoba. 2020
Materias:
performing arts
mask
subjectivity
experimentation
creative process
artes escénicas
máscara
subjetividad
experimentación
proceso creativo
Acceso en línea:https://revistas.unc.edu.ar/index.php/ART/article/view/30024
Aporte de:
Artilugio de Universidad Nacional de Córdoba
id I10-R361-article-30024
record_format ojs
spelling I10-R361-article-300242023-03-02T18:36:51Z Between mask, body and scene.: Unmasking the birth of a play Entre máscara, cuerpo y puesta en escena. : Desenmascarando el nacimiento de una obra Glave, Julián Goldraij, Valentina performing arts mask subjectivity experimentation creative process artes escénicas máscara subjetividad experimentación proceso creativo The text thoughtfully explores the progress of meanings rhizomatically expanded throughout the rehearsals of a project, “Opaque and Neutral Masks: from the self-cognitive training to the composition of scenic material”. The aim of this work is to look into the ways ideas and emotions that are part of the play in process were twisted and turned. It exposes the dialogue between the apparent expressive rigidity of mask and incitement on a stage that oscillates between what is to be expected and what is alarming, what is banal and what is spectacular, what is human and what is animal, what is permanent and what is ephemeral. More than a review, in this text we inquire into the creative process of a theatrical event that overflows the standards of stage and verbal languages, the idea of direction as something omnipotent, the script as a complete fact that must be closely followed, the work as a product of a creative genius, someone inspired and in solitude, and the mask as a concealing device. Here, the writing process does not have the purpose of establishing a completed knowledge, being witness of a concluded subjectivity. It follows the trail of an experimentation that finds in its threshold a porous and productive limit into which the meanings that seemed unmutable can be poured.  En el texto se busca explorar reflexivamente el desarrollo de algunos sentidos que se expandieron de manera rizomática a lo largo de los ensayos del proyecto “Media Opaca y Máscara Neutra: del entrenamiento autocognitivo a la composición del propio material escénico” para indagar las maneras en que se fueron torciendo y retorciendo las ideas y los sentires que configuran el proceso de obra. Se expone el diálogo entre la aparente rigidez expresiva de la máscara y el estímulo de un escenario que oscila entre lo esperable y lo alarmante, lo banal y lo espectacular, lo humano y lo animal, lo permanente y lo efímero. Más que una reseña de obra, en este texto se indaga en el proceso creativo de un suceso teatral que desborda los estándares del lenguaje escénico y verbal, de la idea de dirección como omnipotencia, del guión como hecho consumado que se sigue al pie de la letra, de un ser genio creativo como persona inspirada y solitaria, de la máscara como dispositivo de ocultamiento. Aquí la escritura no actúa como fijación de un saber acabado, testigo de una subjetividad concluida, sino que sigue el tránsito de una experimentación que encuentra en su umbral un límite poroso y productivo por el cual derramar los sentidos que parecían inmutables.  Centro de Producción e Investigación en Artes, Facultad de Artes, Universidad Nacional de Córdoba. 2020-09-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Non-arbitrated article Artículo no arbitrado application/pdf text/html application/epub+zip https://revistas.unc.edu.ar/index.php/ART/article/view/30024 10.55443/artilugio.n6.2020.30024 ark:/s2408462x/fyl79ibjq Artilugio; No. 6 (2020): Archive and Memory; 204-213 Artilugio; Núm. 6 (2020): Archivo y Memoria; 204-213 Artilugio; n. 6 (2020): Archivo y Memoria; 204-213 2408-462X 10.55443/artilugio.n6.2020 ark:/s2408462x/u7erw86zt spa https://revistas.unc.edu.ar/index.php/ART/article/view/30024/30941 https://revistas.unc.edu.ar/index.php/ART/article/view/30024/30783 https://revistas.unc.edu.ar/index.php/ART/article/view/30024/30942 Derechos de autor 2020 Julián Glave, Valentina Goldraij https://creativecommons.org/licenses/by-nc-sa/4.0
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-361
container_title_str Artilugio
language Español
format Artículo revista
topic performing arts
mask
subjectivity
experimentation
creative process
artes escénicas
máscara
subjetividad
experimentación
proceso creativo
spellingShingle performing arts
mask
subjectivity
experimentation
creative process
artes escénicas
máscara
subjetividad
experimentación
proceso creativo
Glave, Julián
Goldraij, Valentina
Between mask, body and scene.: Unmasking the birth of a play
topic_facet performing arts
mask
subjectivity
experimentation
creative process
artes escénicas
máscara
subjetividad
experimentación
proceso creativo
author Glave, Julián
Goldraij, Valentina
author_facet Glave, Julián
Goldraij, Valentina
author_sort Glave, Julián
title Between mask, body and scene.: Unmasking the birth of a play
title_short Between mask, body and scene.: Unmasking the birth of a play
title_full Between mask, body and scene.: Unmasking the birth of a play
title_fullStr Between mask, body and scene.: Unmasking the birth of a play
title_full_unstemmed Between mask, body and scene.: Unmasking the birth of a play
title_sort between mask, body and scene.: unmasking the birth of a play
description The text thoughtfully explores the progress of meanings rhizomatically expanded throughout the rehearsals of a project, “Opaque and Neutral Masks: from the self-cognitive training to the composition of scenic material”. The aim of this work is to look into the ways ideas and emotions that are part of the play in process were twisted and turned. It exposes the dialogue between the apparent expressive rigidity of mask and incitement on a stage that oscillates between what is to be expected and what is alarming, what is banal and what is spectacular, what is human and what is animal, what is permanent and what is ephemeral. More than a review, in this text we inquire into the creative process of a theatrical event that overflows the standards of stage and verbal languages, the idea of direction as something omnipotent, the script as a complete fact that must be closely followed, the work as a product of a creative genius, someone inspired and in solitude, and the mask as a concealing device. Here, the writing process does not have the purpose of establishing a completed knowledge, being witness of a concluded subjectivity. It follows the trail of an experimentation that finds in its threshold a porous and productive limit into which the meanings that seemed unmutable can be poured. 
publisher Centro de Producción e Investigación en Artes, Facultad de Artes, Universidad Nacional de Córdoba.
publishDate 2020
url https://revistas.unc.edu.ar/index.php/ART/article/view/30024
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first_indexed 2024-09-03T22:28:06Z
last_indexed 2024-09-03T22:28:06Z
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