An Exercise of Postmemory About Aparecer, of the Insurgentes Art Collective

The article addresses an artistic intervention carried out a decade ago in the city of Córdoba (Argentina) by the artistic collective Insurgentes on the anniversary of the last civic-military dictatorship (1976-1983). The approach of Aparecer, o del combate por la existencia [“To Appear” or the comb...

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Autor principal: Dahbar, María Victoria
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro de Producción e Investigación en Artes, Facultad de Artes, Universidad Nacional de Córdoba. 2021
Materias:
Post-memory
Urban Art
Walter Benjamin
Temporality
Affective Turn
Posmemoria
Arte urbano
Temporalidad
Giro afectivo
Acceso en línea:https://revistas.unc.edu.ar/index.php/ART/article/view/34561
Aporte de:
Artilugio de Universidad Nacional de Córdoba
id I10-R361-article-34561
record_format ojs
spelling I10-R361-article-345612023-03-04T00:18:49Z An Exercise of Postmemory About Aparecer, of the Insurgentes Art Collective Un ejercicio de posmemoria. Acerca de Aparecer, del Colectivo Insurgentes Dahbar, María Victoria Post-memory Urban Art Walter Benjamin Temporality Affective Turn Posmemoria Arte urbano Walter Benjamin Temporalidad Giro afectivo The article addresses an artistic intervention carried out a decade ago in the city of Córdoba (Argentina) by the artistic collective Insurgentes on the anniversary of the last civic-military dictatorship (1976-1983). The approach of Aparecer, o del combate por la existencia [“To Appear” or the combat for existence] constitutes a critical post-memory exercise, which seeks to map the practices of a generation that cites previous ones, specially those of the 60 and 70s. Rather than a literal translation of the category to the phenomenon in question, we think of post-memory beside an specific artistic practice. The proposal a) develops the post-memory category in its theoretical and political dimensions, pointing out objections and strengths; b) presents an anachronistic cartography by which Insurgentes can be placed in the artistic activism of that time and c) goes through the intervention Aparecer as an exercise of post-memory, namely, a temporal mismatchin four dimensions: the question about what is contemporary, the affective relationship with the past, the quotation, and the question of the subject. El artículo aborda una intervención artística realizada una década atrás en la ciudad de Córdoba, Argentina, por el colectivo artístico Insurgentes en el aniversario de la última dictadura cívico-militar (1976-1983). El abordaje de Aparecer, o del combate por la existencia es un ejercicio crítico de posmemoria que busca cartografiar las prácticas de una generación que si bien no es parte de la de los sesenta y setenta cita a las generaciones precedentes. Antes que una traducción literal de la categoría hacia el fenómeno en cuestión, pensamos la posmemoria junto a una práctica artística determinada. La propuesta a) compone la categoría de posmemoria en su dimensión teórica y política, señalando objeciones y potencias; b) presenta una cartografía anacrónica en la que puede situarse a Insurgentes en el activismo artístico de entonces y c) desarrolla la intervención Aparecer en tanto ejercicio de posmemoria, un desajuste temporal trabajado en cuatro dimensiones: la pregunta por lo actual, la relación afectiva con el pasado, la cita y la pregunta por el sujeto. Centro de Producción e Investigación en Artes, Facultad de Artes, Universidad Nacional de Córdoba. 2021-09-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Double-blind peer-reviewed article Artículo revisado por sistema de pares doble ciego application/pdf text/html application/epub+zip https://revistas.unc.edu.ar/index.php/ART/article/view/34561 10.55443/artilugio.n7.2021.34561 ark:/s2408462x/9kunzf4uu Artilugio; No. 7 (2021): Cartographies, Memories and Territories; 266-282 Artilugio; Núm. 7 (2021): Cartografías, memorias y territorios; 266-282 Artilugio; n. 7 (2021): Cartografías, memorias y territorios; 266-282 2408-462X 10.55443/artilugio.n7.2021 ark:/s2408462x/rkwmwvcrg spa https://revistas.unc.edu.ar/index.php/ART/article/view/34561/35056 https://revistas.unc.edu.ar/index.php/ART/article/view/34561/35057 https://revistas.unc.edu.ar/index.php/ART/article/view/34561/35058 Derechos de autor 2021 María Victoria Dahbar https://creativecommons.org/licenses/by-nc-sa/4.0
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-361
container_title_str Artilugio
language Español
format Artículo revista
topic Post-memory
Urban Art
Walter Benjamin
Temporality
Affective Turn
Posmemoria
Arte urbano
Walter Benjamin
Temporalidad
Giro afectivo
spellingShingle Post-memory
Urban Art
Walter Benjamin
Temporality
Affective Turn
Posmemoria
Arte urbano
Walter Benjamin
Temporalidad
Giro afectivo
Dahbar, María Victoria
An Exercise of Postmemory About Aparecer, of the Insurgentes Art Collective
topic_facet Post-memory
Urban Art
Walter Benjamin
Temporality
Affective Turn
Posmemoria
Arte urbano
Walter Benjamin
Temporalidad
Giro afectivo
author Dahbar, María Victoria
author_facet Dahbar, María Victoria
author_sort Dahbar, María Victoria
title An Exercise of Postmemory About Aparecer, of the Insurgentes Art Collective
title_short An Exercise of Postmemory About Aparecer, of the Insurgentes Art Collective
title_full An Exercise of Postmemory About Aparecer, of the Insurgentes Art Collective
title_fullStr An Exercise of Postmemory About Aparecer, of the Insurgentes Art Collective
title_full_unstemmed An Exercise of Postmemory About Aparecer, of the Insurgentes Art Collective
title_sort exercise of postmemory about aparecer, of the insurgentes art collective
description The article addresses an artistic intervention carried out a decade ago in the city of Córdoba (Argentina) by the artistic collective Insurgentes on the anniversary of the last civic-military dictatorship (1976-1983). The approach of Aparecer, o del combate por la existencia [“To Appear” or the combat for existence] constitutes a critical post-memory exercise, which seeks to map the practices of a generation that cites previous ones, specially those of the 60 and 70s. Rather than a literal translation of the category to the phenomenon in question, we think of post-memory beside an specific artistic practice. The proposal a) develops the post-memory category in its theoretical and political dimensions, pointing out objections and strengths; b) presents an anachronistic cartography by which Insurgentes can be placed in the artistic activism of that time and c) goes through the intervention Aparecer as an exercise of post-memory, namely, a temporal mismatchin four dimensions: the question about what is contemporary, the affective relationship with the past, the quotation, and the question of the subject.
publisher Centro de Producción e Investigación en Artes, Facultad de Artes, Universidad Nacional de Córdoba.
publishDate 2021
url https://revistas.unc.edu.ar/index.php/ART/article/view/34561
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first_indexed 2024-09-03T22:28:14Z
last_indexed 2024-09-03T22:28:14Z
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