The rule and the exception: figurations of subjectivity in Argentine authorial documentaries of the eighties and nineties

The current essay analyzes a group of documentary films produced by Argentine directors during the eighties and nineties that includes in some kind of modulation, the use of first-person narratives. These manifestations of authorial subjectivity within nonfiction films are examined as a precedent of...

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Autor principal: Piedras, Pablo
Formato: Artículo revista
Lenguaje:Español
Publicado: Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba 2012
Materias:
Documental
Primera persona
Cine argentino
Subjetividad fílmica
Exilio
Documentary
first person
argentinian film
filmic subjetivity
exile
Acceso en línea:https://revistas.unc.edu.ar/index.php/toma1/article/view/8568
Aporte de:
TOMA UNO de Universidad Nacional de Córdoba
id I10-R367-article-8568
record_format ojs
spelling I10-R367-article-85682020-11-01T03:56:58Z The rule and the exception: figurations of subjectivity in Argentine authorial documentaries of the eighties and nineties La regla y la excepción: figuraciones de la subjetividad autoral en documentales argentinos de los ochenta y noventa Piedras, Pablo Documental Primera persona Cine argentino Subjetividad fílmica Exilio Documentary first person argentinian film filmic subjetivity exile The current essay analyzes a group of documentary films produced by Argentine directors during the eighties and nineties that includes in some kind of modulation, the use of first-person narratives. These manifestations of authorial subjectivity within nonfiction films are examined as a precedent of first-person documentaries that persistently mark audiovisual discourses of the XXI century. El artículo analiza un conjunto de films documentales producidos por directores argentinos durante la décadas de los ochenta y noventa que manifiesta, en algún tipo de modulación, la utilización de narrativas en primera persona. Estas manifestaciones de la subjetividad autoral en el seno de los textos fílmicos de no ficción es examinada en tanto antecedente de los documentales en primera persona que irrumpen persistentemente en los discursos audiovisuales del siglo XXI.  Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba 2012-09-27 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unc.edu.ar/index.php/toma1/article/view/8568 10.55442/tomauno.n1.2012.8568 Toma Uno; No. 1 (2012): La representación de la realidad; 37-53 TOMA UNO; Núm. 1 (2012): La representación de la realidad; 37-53 2250-4524 2313-9692 10.55442/tomauno.n1.2012 spa https://revistas.unc.edu.ar/index.php/toma1/article/view/8568/9433
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-367
container_title_str TOMA UNO
language Español
format Artículo revista
topic Documental
Primera persona
Cine argentino
Subjetividad fílmica
Exilio
Documentary
first person
argentinian film
filmic subjetivity
exile
spellingShingle Documental
Primera persona
Cine argentino
Subjetividad fílmica
Exilio
Documentary
first person
argentinian film
filmic subjetivity
exile
Piedras, Pablo
The rule and the exception: figurations of subjectivity in Argentine authorial documentaries of the eighties and nineties
topic_facet Documental
Primera persona
Cine argentino
Subjetividad fílmica
Exilio
Documentary
first person
argentinian film
filmic subjetivity
exile
author Piedras, Pablo
author_facet Piedras, Pablo
author_sort Piedras, Pablo
title The rule and the exception: figurations of subjectivity in Argentine authorial documentaries of the eighties and nineties
title_short The rule and the exception: figurations of subjectivity in Argentine authorial documentaries of the eighties and nineties
title_full The rule and the exception: figurations of subjectivity in Argentine authorial documentaries of the eighties and nineties
title_fullStr The rule and the exception: figurations of subjectivity in Argentine authorial documentaries of the eighties and nineties
title_full_unstemmed The rule and the exception: figurations of subjectivity in Argentine authorial documentaries of the eighties and nineties
title_sort rule and the exception: figurations of subjectivity in argentine authorial documentaries of the eighties and nineties
description The current essay analyzes a group of documentary films produced by Argentine directors during the eighties and nineties that includes in some kind of modulation, the use of first-person narratives. These manifestations of authorial subjectivity within nonfiction films are examined as a precedent of first-person documentaries that persistently mark audiovisual discourses of the XXI century.
publisher Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba
publishDate 2012
url https://revistas.unc.edu.ar/index.php/toma1/article/view/8568
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AT piedraspablo ruleandtheexceptionfigurationsofsubjectivityinargentineauthorialdocumentariesoftheeightiesandnineties
first_indexed 2024-09-03T22:57:24Z
last_indexed 2024-09-03T22:57:24Z
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