The Baroque and Neo-Baroque in the Poems Las huríes blancas (1886) and Ecos del siglo (1892) by José de Jesús Domínguez (1843-1898)

This essay proposes that during the beginning of the Hispanic American Modernist Movement at the end of the 19th c. the second emergence of the Baroque esthetic took place in Latin American literature, in Puerto Rico. This historical period was distinguished by the accentuation of social inequalitie...

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Autor principal: Valenzuela Rios, Luis
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro de Investigaciones de la Facultad de Filosofía y Humanidades 2018
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Acceso en línea:https://revistas.unc.edu.ar/index.php/recial/article/view/22855
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spelling I10-R377-article-228552018-12-20T12:58:28Z The Baroque and Neo-Baroque in the Poems Las huríes blancas (1886) and Ecos del siglo (1892) by José de Jesús Domínguez (1843-1898) Lo Barroco y Neobarroco en los poemas: Las huríes blancas (1886) y Ecos del siglo (1892) de José de Jesús Domínguez (1843-1898) Valenzuela Rios, Luis Baroque Neo-Baroque rhizome baroque ethos Modernism Barroco Neobarroco rizoma ethos barroco modernismo This essay proposes that during the beginning of the Hispanic American Modernist Movement at the end of the 19th c. the second emergence of the Baroque esthetic took place in Latin American literature, in Puerto Rico. This historical period was distinguished by the accentuation of social inequalities on the island and the rest of the Caribbean, obligating the writers of the time to utilize structural and linguistic resources typical of the Baroque esthetic of the 17th c. They used language that was precious, hermetic, allegorical, and symbolic, in order to avoid censure. As evidence of this phenomena, this investigation analyzes two poems by the Puerto Rican writer Jose de Jesus Dominguez, Las huries blancas (1886) and Ecos de siglo (1889), in order to identify Neo Baroque elements within them. Este ensayo propone que, en Puerto Rico, durante los orígenes del Movimiento Modernista Hispanoamericano de finales del siglo XIX, se dio el segundo afloramiento de la estética barroca en la literatura latinoamericana. Este período histórico se distinguió por la acentuación de las desigualdades sociales en la Isla y el resto del Caribe, obligando a los escritores a utilizar recursos estructurales y lingüísticos, propios de la estética barroca del siglo XVII, tales como el uso de un lenguaje preciosista, hermético, alegórico y simbólico con el fin de evitar la censura. Como evidencia de este fenómeno, esta investigación analiza dos poemas del escritor puertorriqueño José de Jesús Domínguez, Las huríes blancas (1886) y Ecos de siglo (1889), con la finalidad de identificar elementos neobarrocos presentes en los mismos. Centro de Investigaciones de la Facultad de Filosofía y Humanidades 2018-12-15 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf text/html https://revistas.unc.edu.ar/index.php/recial/article/view/22855 10.53971/2718.658x.v9.n14.22855 Recial; Vol. 9 Núm. 14 (2018): Dossier: Del Barroco y el Neobarroco 2718-658X 1853-4112 10.53971/2718.658x.v9.n14 spa https://revistas.unc.edu.ar/index.php/recial/article/view/22855/pdf https://revistas.unc.edu.ar/index.php/recial/article/view/22855/22450 Derechos de autor 2018 Recial
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-377
container_title_str Recial
language Español
format Artículo revista
topic Baroque
Neo-Baroque
rhizome
baroque ethos
Modernism
Barroco
Neobarroco
rizoma
ethos barroco
modernismo
spellingShingle Baroque
Neo-Baroque
rhizome
baroque ethos
Modernism
Barroco
Neobarroco
rizoma
ethos barroco
modernismo
Valenzuela Rios, Luis
The Baroque and Neo-Baroque in the Poems Las huríes blancas (1886) and Ecos del siglo (1892) by José de Jesús Domínguez (1843-1898)
topic_facet Baroque
Neo-Baroque
rhizome
baroque ethos
Modernism
Barroco
Neobarroco
rizoma
ethos barroco
modernismo
author Valenzuela Rios, Luis
author_facet Valenzuela Rios, Luis
author_sort Valenzuela Rios, Luis
title The Baroque and Neo-Baroque in the Poems Las huríes blancas (1886) and Ecos del siglo (1892) by José de Jesús Domínguez (1843-1898)
title_short The Baroque and Neo-Baroque in the Poems Las huríes blancas (1886) and Ecos del siglo (1892) by José de Jesús Domínguez (1843-1898)
title_full The Baroque and Neo-Baroque in the Poems Las huríes blancas (1886) and Ecos del siglo (1892) by José de Jesús Domínguez (1843-1898)
title_fullStr The Baroque and Neo-Baroque in the Poems Las huríes blancas (1886) and Ecos del siglo (1892) by José de Jesús Domínguez (1843-1898)
title_full_unstemmed The Baroque and Neo-Baroque in the Poems Las huríes blancas (1886) and Ecos del siglo (1892) by José de Jesús Domínguez (1843-1898)
title_sort baroque and neo-baroque in the poems las huríes blancas (1886) and ecos del siglo (1892) by josé de jesús domínguez (1843-1898)
description This essay proposes that during the beginning of the Hispanic American Modernist Movement at the end of the 19th c. the second emergence of the Baroque esthetic took place in Latin American literature, in Puerto Rico. This historical period was distinguished by the accentuation of social inequalities on the island and the rest of the Caribbean, obligating the writers of the time to utilize structural and linguistic resources typical of the Baroque esthetic of the 17th c. They used language that was precious, hermetic, allegorical, and symbolic, in order to avoid censure. As evidence of this phenomena, this investigation analyzes two poems by the Puerto Rican writer Jose de Jesus Dominguez, Las huries blancas (1886) and Ecos de siglo (1889), in order to identify Neo Baroque elements within them.
publisher Centro de Investigaciones de la Facultad de Filosofía y Humanidades
publishDate 2018
url https://revistas.unc.edu.ar/index.php/recial/article/view/22855
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