New Approaches to Latin American Neo-Baroque in Transvestite Poetics: A Spoilsport and Angry Writing

The transvestite, throughout Latin American literature, has been adopted as a relevant aesthetic-critical figure to reflect on human immanence and modes of inhabiting territories.            &...

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Autor principal: Siac, Tomás
Formato: Artículo revista
Lenguaje:Español
Publicado: Facultad de Filosofía y Humanidades 2023
Materias:
happiness
Claudia Rodríguez
transvestite writing
killjoy feminism
neobarroso
felicidad
escritura travesti
feminismo aguafiesta
Acceso en línea:https://revistas.unc.edu.ar/index.php/recial/article/view/43367
Aporte de:
Recial de Universidad Nacional de Córdoba
id I10-R377-article-43367
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spelling I10-R377-article-433672025-11-20T06:09:35Z New Approaches to Latin American Neo-Baroque in Transvestite Poetics: A Spoilsport and Angry Writing Nuevos acercamientos al neobarroso latinoamericano en poéticas travestis: una escritura aguafiestas y enojada Siac, Tomás happiness Claudia Rodríguez transvestite writing killjoy feminism neobarroso felicidad Claudia Rodríguez escritura travesti feminismo aguafiesta neobarroso The transvestite, throughout Latin American literature, has been adopted as a relevant aesthetic-critical figure to reflect on human immanence and modes of inhabiting territories.                Claudia Rodriguez's fanzines will be analised in order to outline contemporary ways of thinking transvestites as a re-ontologising and re-affective figure on neoliberal discursive plots of early twenty-first century society. We will focus on articulating a critical apparatus that re-thinks Latin American writing as a critical act, where happiness -as an oppresive technology-, hygienist logics and ways of conforming bodies are questioned. Throughout this analysis we will focus on Sara Ahmed's theories on happiness and the affective turn, Audre Lorde's reflections on anger -as a defiant response to racism- and Severo Sarduy's and Nestor Perlongher's readings of the Baroque-Neobaroque-Neobarroso and its historical drifts. In synthesis, these theories will allow us a transdisciplinary reading of Claudia Rodriguez's transvestite writing as an example of the possibility of refounding discourses and bodies within the hygienist, happy and capitalist society of our present. El sujeto travesti, a lo largo de la literatura latinoamericana, ha sido adoptado como una figura estético-crítica relevante para pensar la inmanencia humana y las maneras de habitar el territorio. A partir de esta idea recurriremos al análisis de la recopilación de fanzines poesía travesti (2021) de Claudia Rodriguez para esbozar maneras contemporáneas de pensar a la travesti como figura re-ontologizante y re-afectiva de las tramas discursivas de la sociedad neoliberal de principios del siglo veintiuno. Nos centraremos en articular un aparato crítico que re-piense la escritura latinoamericana como un hacer crítico, donde las tecnologías de la felicidad y las maneras de hacer cuerpo sean puestas en cuestión. A lo largo del análisis recurriremos a las teorías de Sara Ahmed acerca de la felicidad y el giro afectivo, las reflexiones de Audre Lorde acerca del enojo -como respuesta desafiante al racismo- y las lecturas de Severo Sarduy y Nestor Perlongher sobre el barroco-neobarroco-neobarroso y sus derivas históricas. En síntesis, estas teorías nos permitirán una lectura transdisciplinaria sobre la escritura travesti de Claudia Rodriguez como un ejemplo de la posibilidad de refundar los discursos y los cuerpos en el seno de la sociedad feliz y capitalista de nuestro presente. Facultad de Filosofía y Humanidades 2023-12-07 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf text/html https://revistas.unc.edu.ar/index.php/recial/article/view/43367 10.53971/2718.658x.v15.n24.43367 Recial; Vol. 14 Núm. 24 (2023): Dossier: Figuras de la crítica: gestos, esferas e imágenes; 155-175 2718-658X 1853-4112 10.53971/2718.658x.v14.n24 spa https://revistas.unc.edu.ar/index.php/recial/article/view/43367/43490 https://revistas.unc.edu.ar/index.php/recial/article/view/43367/43519 https://creativecommons.org/licenses/by-nc-sa/4.0
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-377
container_title_str Recial
language Español
format Artículo revista
topic happiness
Claudia Rodríguez
transvestite writing
killjoy feminism
neobarroso
felicidad
Claudia Rodríguez
escritura travesti
feminismo aguafiesta
neobarroso
spellingShingle happiness
Claudia Rodríguez
transvestite writing
killjoy feminism
neobarroso
felicidad
Claudia Rodríguez
escritura travesti
feminismo aguafiesta
neobarroso
Siac, Tomás
New Approaches to Latin American Neo-Baroque in Transvestite Poetics: A Spoilsport and Angry Writing
topic_facet happiness
Claudia Rodríguez
transvestite writing
killjoy feminism
neobarroso
felicidad
Claudia Rodríguez
escritura travesti
feminismo aguafiesta
neobarroso
author Siac, Tomás
author_facet Siac, Tomás
author_sort Siac, Tomás
title New Approaches to Latin American Neo-Baroque in Transvestite Poetics: A Spoilsport and Angry Writing
title_short New Approaches to Latin American Neo-Baroque in Transvestite Poetics: A Spoilsport and Angry Writing
title_full New Approaches to Latin American Neo-Baroque in Transvestite Poetics: A Spoilsport and Angry Writing
title_fullStr New Approaches to Latin American Neo-Baroque in Transvestite Poetics: A Spoilsport and Angry Writing
title_full_unstemmed New Approaches to Latin American Neo-Baroque in Transvestite Poetics: A Spoilsport and Angry Writing
title_sort new approaches to latin american neo-baroque in transvestite poetics: a spoilsport and angry writing
description The transvestite, throughout Latin American literature, has been adopted as a relevant aesthetic-critical figure to reflect on human immanence and modes of inhabiting territories.                Claudia Rodriguez's fanzines will be analised in order to outline contemporary ways of thinking transvestites as a re-ontologising and re-affective figure on neoliberal discursive plots of early twenty-first century society. We will focus on articulating a critical apparatus that re-thinks Latin American writing as a critical act, where happiness -as an oppresive technology-, hygienist logics and ways of conforming bodies are questioned. Throughout this analysis we will focus on Sara Ahmed's theories on happiness and the affective turn, Audre Lorde's reflections on anger -as a defiant response to racism- and Severo Sarduy's and Nestor Perlongher's readings of the Baroque-Neobaroque-Neobarroso and its historical drifts. In synthesis, these theories will allow us a transdisciplinary reading of Claudia Rodriguez's transvestite writing as an example of the possibility of refounding discourses and bodies within the hygienist, happy and capitalist society of our present.
publisher Facultad de Filosofía y Humanidades
publishDate 2023
url https://revistas.unc.edu.ar/index.php/recial/article/view/43367
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first_indexed 2024-09-03T23:09:10Z
last_indexed 2025-11-27T05:26:27Z
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