Basura shakespeariana en Fin de partida (1957)

This paper will examine some of the Shakespearean elements that Samuel Beckett spreads throughout Endgame (1957). These could be interpreted as cultural garbage (Adorno, 2003), according to a technique that belongs to the Irish author’s own inner logic, that dismantles, re-orders and scatters fragme...

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Autor principal: D’Ottavio, Chiara Ornella
Formato: Artículo revista
Lenguaje:Español
Publicado: Universidad Nacional de Rosario 2025
Materias:
Beckett
Shakespeare
basura cultural
Fin de partida
cultural garbage
Endgame
Acceso en línea:https://discursividades.unr.edu.ar/index.php/revista/article/view/60
Aporte de:
Discursividades de Universidad Nacional de Rosario
id I15-R232-article-60
record_format ojs
spelling I15-R232-article-602025-12-17T18:40:57Z Basura shakespeariana en Fin de partida (1957) D’Ottavio, Chiara Ornella Beckett Shakespeare basura cultural Fin de partida Beckett Shakespeare cultural garbage Endgame Beckett Shakespeare basura cultural Fin de partida This paper will examine some of the Shakespearean elements that Samuel Beckett spreads throughout Endgame (1957). These could be interpreted as cultural garbage (Adorno, 2003), according to a technique that belongs to the Irish author’s own inner logic, that dismantles, re-orders and scatters fragments of philosophical and literary traditions throughout his entire body of work. We will consider, to begin with, that there is a parallel drawn between this technique and the relationship that Beckett’s characters establish with their surrounding objects. These objects are also perceived in a fragmentary way and are resignified through their reutilization. Then, we will focus on the characters of Hamm and Clov as specific recipients of these Shakespearean echoes.   Este trabajo se propone examinar algunos de los elementos shakespearianos que Samuel Beckett disemina en Fin de partida (1957). Estos pueden leerse como basura cultural (Adorno, 2003), de acuerdo con un procedimiento que se inscribe en una lógica intertextual propia del autor irlandés que desarma, rejerarquiza y desperdiga fragmentos de tradiciones filosóficas y literarias a lo largo de toda su producción. Consideramos, para comenzar, que existe un paralelo entre este procedimiento y la relación de los personajes beckettianos con los objetos que los rodean, los que también son percibidos de manera fragmentaria y resignificados por medio de su reutilización. Finalmente, nos centramos en los personajes de Hamm y Clov como particulares receptores de ciertos restos shakespearianos. Este trabalho propõe examinar alguns dos elementos shakespearianos que Samuel Beckett dissemina em Fin de partida (1957). Estes elementos podem ser lidos como lixo cultural (Adorno, 2003), segundo um procedimento inscrito na lógica intertextual própria do autor irlandês, que desarma, rehierarquiza e dispersa fragmentos de tradições filosóficas e literárias ao longo de toda a sua produção. Consideramos, para começar, que há um paralelo entre esse procedimiento e a relação dos personagens beckettianos com os objetos que os rodeiam, que também são percebidos de maneira fragmentária e ressignificados através de sua reutilização. Finalmente, centramos a atenção nos personagens de Hamm e Clov como especiais receptores de certos restos shakespearianos. Universidad Nacional de Rosario 2025-12-17 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://discursividades.unr.edu.ar/index.php/revista/article/view/60 Discursividades; Vol. 5 Núm. 5 (2025): Número actual; 26-38 2545-7365 spa https://discursividades.unr.edu.ar/index.php/revista/article/view/60/51 https://creativecommons.org/licenses/by-nc-sa/4.0
institution Universidad Nacional de Rosario
institution_str I-15
repository_str R-232
container_title_str Discursividades
language Español
format Artículo revista
topic Beckett
Shakespeare
basura cultural
Fin de partida
Beckett
Shakespeare
cultural garbage
Endgame
Beckett
Shakespeare
basura cultural
Fin de partida
spellingShingle Beckett
Shakespeare
basura cultural
Fin de partida
Beckett
Shakespeare
cultural garbage
Endgame
Beckett
Shakespeare
basura cultural
Fin de partida
D’Ottavio, Chiara Ornella
Basura shakespeariana en Fin de partida (1957)
topic_facet Beckett
Shakespeare
basura cultural
Fin de partida
Beckett
Shakespeare
cultural garbage
Endgame
Beckett
Shakespeare
basura cultural
Fin de partida
author D’Ottavio, Chiara Ornella
author_facet D’Ottavio, Chiara Ornella
author_sort D’Ottavio, Chiara Ornella
title Basura shakespeariana en Fin de partida (1957)
title_short Basura shakespeariana en Fin de partida (1957)
title_full Basura shakespeariana en Fin de partida (1957)
title_fullStr Basura shakespeariana en Fin de partida (1957)
title_full_unstemmed Basura shakespeariana en Fin de partida (1957)
title_sort basura shakespeariana en fin de partida (1957)
description This paper will examine some of the Shakespearean elements that Samuel Beckett spreads throughout Endgame (1957). These could be interpreted as cultural garbage (Adorno, 2003), according to a technique that belongs to the Irish author’s own inner logic, that dismantles, re-orders and scatters fragments of philosophical and literary traditions throughout his entire body of work. We will consider, to begin with, that there is a parallel drawn between this technique and the relationship that Beckett’s characters establish with their surrounding objects. These objects are also perceived in a fragmentary way and are resignified through their reutilization. Then, we will focus on the characters of Hamm and Clov as specific recipients of these Shakespearean echoes.  
publisher Universidad Nacional de Rosario
publishDate 2025
url https://discursividades.unr.edu.ar/index.php/revista/article/view/60
work_keys_str_mv AT dottaviochiaraornella basurashakespearianaenfindepartida1957
first_indexed 2026-01-04T05:05:07Z
last_indexed 2026-01-04T05:05:07Z
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