Diverse Hands, Shared Ink. Enslaved people, Indigenous people, and Spaniards in the printing press of the Turinese printer Antonio Ricardo (Lima, 1581-1586)
This article examines the first printing press in Lima to question the idea that the production of books, such as the Vocabulario en la lengua general del Perú (1586), was an exclusively European project. Based on the analysis of the printed works and the notarial documents of Antonio Ricardo, the s...
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| Lenguaje: | Español |
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Grupo Prohistoria
2025
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| Acceso en línea: | https://ojs.rosario-conicet.gov.ar/index.php/prohistoria/article/view/2049 |
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I15-R238-article-20492025-12-15T19:55:54Z Diverse Hands, Shared Ink. Enslaved people, Indigenous people, and Spaniards in the printing press of the Turinese printer Antonio Ricardo (Lima, 1581-1586) Manos Diversas, Tintas Comunes. Esclavizados, indígenas y españoles en la imprenta del turinés Antonio Ricardo (Lima, 1581-1586) Mãos Diversas, Tintas Comuns. Escravos, indígenas e espanhóis na gráfica do turinês Antonio Ricardo (Lima, 1581-1586) Araneda Riquelme, José Cultura Impresa Colonial Historia del Libro Trabajo Racializado Hibridez Cultural Andes Coloniales Colonial Print Culture Book History Racialized Labor Cultural Hybridity Colonial Andes Cultura Imprensa Colonial História do Livro Trabalho Racializado Hibridismo Cultural Andes Coloniais This article examines the first printing press in Lima to question the idea that the production of books, such as the Vocabulario en la lengua general del Perú (1586), was an exclusively European project. Based on the analysis of the printed works and the notarial documents of Antonio Ricardo, the study reconstructs the labor organization of his workshop and identifies twelve workers of African, Indigenous, and Castilian origin. The findings reveal a multiracial production process largely overlooked by historiography. The article argues that the Lima press functioned as a colonial laboratory of socioracial convergence, essential for understanding early globalization. Este artículo analiza la primera imprenta de Lima para cuestionar la idea de que la producción de libros, como el Vocabulario en la lengua general del Perú (1586), fue un proyecto exclusivamente europeo. A partir del análisis de los impresos y de la documentación notarial de Antonio Ricardo, se reconstruye la organización laboral de su taller y se identifican doce trabajadores de orígenes africanos, indígenas y castellanos. El hallazgo revela una producción multirracial apenas considerada por la historiografía. El estudio propone que la imprenta limeña funcionó como un laboratorio colonial de convergencia socio-racial, clave para entender la temprana globalización. Este artigo analisa a primeira gráfica de Lima para questionar a ideia de que a produção de livros, como o Vocabulario en la lengua general del Perú (1586), foi um projeto exclusivamente europeu. A partir da análise dos impressos e da documentação notarial de Antonio Ricardo, reconstrói-se a organização do trabalho em sua oficina e identifica-se doze trabalhadores de origem africana, indígena e castelhana. A descoberta revela uma produção multirracial pouco considerada pela historiografia. O estudo propõe que a gráfica de Lima funcionou como um laboratório colonial de convergência sociorracial, fundamental para compreender a globalização inicial. Grupo Prohistoria 2025-12-15 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://ojs.rosario-conicet.gov.ar/index.php/prohistoria/article/view/2049 Prohistoria. Historia, políticas de la historia; No. 44 (2025); 1-22 Prohistoria. Historia, políticas de la historia; Núm. 44 (2025); 1-22 Prohistoria. Historia, políticas de la historia; n. 44 (2025); 1-22 1851-9504 1514-0032 spa https://ojs.rosario-conicet.gov.ar/index.php/prohistoria/article/view/2049/3378 Derechos de autor 2025 José Araneda Riquelme https://creativecommons.org/licenses/by-nc-sa/4.0 |
| institution |
Universidad Nacional de Rosario |
| institution_str |
I-15 |
| repository_str |
R-238 |
| container_title_str |
Prohistoria. Historia, políticas de la historia (CONICET) |
| language |
Español |
| format |
Artículo revista |
| topic |
Cultura Impresa Colonial Historia del Libro Trabajo Racializado Hibridez Cultural Andes Coloniales Colonial Print Culture Book History Racialized Labor Cultural Hybridity Colonial Andes Cultura Imprensa Colonial História do Livro Trabalho Racializado Hibridismo Cultural Andes Coloniais |
| spellingShingle |
Cultura Impresa Colonial Historia del Libro Trabajo Racializado Hibridez Cultural Andes Coloniales Colonial Print Culture Book History Racialized Labor Cultural Hybridity Colonial Andes Cultura Imprensa Colonial História do Livro Trabalho Racializado Hibridismo Cultural Andes Coloniais Araneda Riquelme, José Diverse Hands, Shared Ink. Enslaved people, Indigenous people, and Spaniards in the printing press of the Turinese printer Antonio Ricardo (Lima, 1581-1586) |
| topic_facet |
Cultura Impresa Colonial Historia del Libro Trabajo Racializado Hibridez Cultural Andes Coloniales Colonial Print Culture Book History Racialized Labor Cultural Hybridity Colonial Andes Cultura Imprensa Colonial História do Livro Trabalho Racializado Hibridismo Cultural Andes Coloniais |
| author |
Araneda Riquelme, José |
| author_facet |
Araneda Riquelme, José |
| author_sort |
Araneda Riquelme, José |
| title |
Diverse Hands, Shared Ink. Enslaved people, Indigenous people, and Spaniards in the printing press of the Turinese printer Antonio Ricardo (Lima, 1581-1586) |
| title_short |
Diverse Hands, Shared Ink. Enslaved people, Indigenous people, and Spaniards in the printing press of the Turinese printer Antonio Ricardo (Lima, 1581-1586) |
| title_full |
Diverse Hands, Shared Ink. Enslaved people, Indigenous people, and Spaniards in the printing press of the Turinese printer Antonio Ricardo (Lima, 1581-1586) |
| title_fullStr |
Diverse Hands, Shared Ink. Enslaved people, Indigenous people, and Spaniards in the printing press of the Turinese printer Antonio Ricardo (Lima, 1581-1586) |
| title_full_unstemmed |
Diverse Hands, Shared Ink. Enslaved people, Indigenous people, and Spaniards in the printing press of the Turinese printer Antonio Ricardo (Lima, 1581-1586) |
| title_sort |
diverse hands, shared ink. enslaved people, indigenous people, and spaniards in the printing press of the turinese printer antonio ricardo (lima, 1581-1586) |
| description |
This article examines the first printing press in Lima to question the idea that the production of books, such as the Vocabulario en la lengua general del Perú (1586), was an exclusively European project. Based on the analysis of the printed works and the notarial documents of Antonio Ricardo, the study reconstructs the labor organization of his workshop and identifies twelve workers of African, Indigenous, and Castilian origin. The findings reveal a multiracial production process largely overlooked by historiography. The article argues that the Lima press functioned as a colonial laboratory of socioracial convergence, essential for understanding early globalization. |
| publisher |
Grupo Prohistoria |
| publishDate |
2025 |
| url |
https://ojs.rosario-conicet.gov.ar/index.php/prohistoria/article/view/2049 |
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2026-01-04T05:10:25Z |
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