Music at the crossroad between Culture, Technology and Media

This article analizes some aspects regarding the cultural study of contemporary popular music. First, I affirm that music, culture and society are inextrincably connected. For this purpose, I present ideas and characterizations coming from different researchers and perspectives. After that, I expose...

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Autor principal: GATTO, Ezequiel
Formato: Artículo revista
Lenguaje:Español
Publicado: ISHiR/CONICET 2014
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Acceso en línea:https://web3.rosario-conicet.gov.ar/ojs/index.php/revistaISHIR/article/view/358
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id I15-R239-article-358
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spelling I15-R239-article-3582014-11-19T13:54:30Z Music at the crossroad between Culture, Technology and Media La música en la intersección de la cultura, la tecnología y los medios. Elementos para una perspectiva histórico-cultural en el estudio de la música popular contemporánea GATTO, Ezequiel historia cultural de la música música popular tecnologías del sonido mediatizaciones cultural history of music popular music technologies of sound mediatizations This article analizes some aspects regarding the cultural study of contemporary popular music. First, I affirm that music, culture and society are inextrincably connected. For this purpose, I present ideas and characterizations coming from different researchers and perspectives. After that, I expose some key elements through which it becomes possible to study popular music and I propose a definition of popular music, In this ocassion, this definition is link to technological and media elements, which I think significativily contribute to the ways music make and construct sense. El presente texto aborda ciertos aspectos del estudio cultural de la música popular contemporánea. Para ello, se inicia con una serie de reflexiones y caracterizaciones que, apoyadas en un conjunto de investigadores de diversas disciplinas, procuran plantear las formas en que música, cultura y sociedad se entrelazan y los elementos a tener en cuenta en un abordaje complejo de los fenómenos musicales. A continuación, procuro declinar una definición de música popular subrayando, en esta ocasión, las cuestiones tecnológicas y mediáticas que, a mi entender, contribuyen significativamente a sus formas de creación de sentidos. ISHiR/CONICET 2014-11-17 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artículo evaluado por pares application/pdf https://web3.rosario-conicet.gov.ar/ojs/index.php/revistaISHIR/article/view/358 10.35305/eishir.v4i9.358 Estudios del ISHiR; Vol. 4 Núm. 9 (2014): Estudios del ISHiR; 56-74 Estudios del ISHiR; Vol. 4 No. 9 (2014): Estudios del ISHiR; 56-74 2250-4397 spa https://web3.rosario-conicet.gov.ar/ojs/index.php/revistaISHIR/article/view/358/410 Derechos de autor 2014 Estudios del ISHiR
institution Universidad Nacional de Rosario
institution_str I-15
repository_str R-239
container_title_str Revista Estudios del ISHIR (CONICET)
language Español
format Artículo revista
topic historia cultural de la música
música popular
tecnologías del sonido
mediatizaciones
cultural history of music
popular music
technologies of sound
mediatizations
spellingShingle historia cultural de la música
música popular
tecnologías del sonido
mediatizaciones
cultural history of music
popular music
technologies of sound
mediatizations
GATTO, Ezequiel
Music at the crossroad between Culture, Technology and Media
topic_facet historia cultural de la música
música popular
tecnologías del sonido
mediatizaciones
cultural history of music
popular music
technologies of sound
mediatizations
author GATTO, Ezequiel
author_facet GATTO, Ezequiel
author_sort GATTO, Ezequiel
title Music at the crossroad between Culture, Technology and Media
title_short Music at the crossroad between Culture, Technology and Media
title_full Music at the crossroad between Culture, Technology and Media
title_fullStr Music at the crossroad between Culture, Technology and Media
title_full_unstemmed Music at the crossroad between Culture, Technology and Media
title_sort music at the crossroad between culture, technology and media
description This article analizes some aspects regarding the cultural study of contemporary popular music. First, I affirm that music, culture and society are inextrincably connected. For this purpose, I present ideas and characterizations coming from different researchers and perspectives. After that, I expose some key elements through which it becomes possible to study popular music and I propose a definition of popular music, In this ocassion, this definition is link to technological and media elements, which I think significativily contribute to the ways music make and construct sense.
publisher ISHiR/CONICET
publishDate 2014
url https://web3.rosario-conicet.gov.ar/ojs/index.php/revistaISHIR/article/view/358
work_keys_str_mv AT gattoezequiel musicatthecrossroadbetweenculturetechnologyandmedia
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first_indexed 2023-06-26T22:54:37Z
last_indexed 2023-06-26T22:54:37Z
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