Filming the Chilean Road to Socialism: Aesthetics of Contradiction in Compañero Presidente (Miguel Littín, 1971)
The article focuses on the linguistic operations of Miguel Littin's documentary, in order to identify a series of dislocations regarding the position of the speaker in relation to the utterance, where the ultimate displacement is that of the speaker as the producer of discourse, which is tran...
| Autor principal: | |
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| Formato: | Artículo publishedVersion |
| Lenguaje: | Español |
| Publicado: |
Universidad de Chile. Instituto de la Comunicación e Imagen
2011
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| Materias: | |
| Acceso en línea: | http://www.comunicacionymedios.uchile.cl/index.php/RCM/article/view/19902 http://biblioteca.clacso.edu.ar/gsdl/cgi-bin/library.cgi?a=d&c=cl/cl-002&d=article19902oai |
| Aporte de: |
| id |
I16-R122-article19902oai |
|---|---|
| record_format |
dspace |
| institution |
Consejo Latinoamericano de Ciencias Sociales |
| institution_str |
I-16 |
| repository_str |
R-122 |
| collection |
Red de Bibliotecas Virtuales de Ciencias Sociales (CLACSO) |
| language |
Español |
| topic |
Revolution; Documentary; Contradiction; Popular Unity Revolución; Documental; Contradicción; Unidad Popular |
| spellingShingle |
Revolution; Documentary; Contradiction; Popular Unity Revolución; Documental; Contradicción; Unidad Popular Palacios, José Miguel Filming the Chilean Road to Socialism: Aesthetics of Contradiction in Compañero Presidente (Miguel Littín, 1971) |
| topic_facet |
Revolution; Documentary; Contradiction; Popular Unity Revolución; Documental; Contradicción; Unidad Popular |
| description |
The article focuses on the linguistic operations of Miguel Littin's documentary, in order to identify a series of dislocations regarding the position of the speaker in relation to the utterance, where the ultimate displacement is that of the speaker as the producer of discourse, which is transferred from the film to the viewer itself. The spectator's consciousness is awakened through a complex process of dialectical relations that problematize reality and turn it into a series of utterances in the form of contradictions -what I call an aesthetics of contradictions, which constitutes the documentary's main discursive strategy so as to become a vehicle for producing social intelligibility. |
| format |
Artículo publishedVersion Artículo publishedVersion |
| author |
Palacios, José Miguel |
| author_facet |
Palacios, José Miguel |
| author_sort |
Palacios, José Miguel |
| title |
Filming the Chilean Road to Socialism: Aesthetics of Contradiction in Compañero Presidente (Miguel Littín, 1971) |
| title_short |
Filming the Chilean Road to Socialism: Aesthetics of Contradiction in Compañero Presidente (Miguel Littín, 1971) |
| title_full |
Filming the Chilean Road to Socialism: Aesthetics of Contradiction in Compañero Presidente (Miguel Littín, 1971) |
| title_fullStr |
Filming the Chilean Road to Socialism: Aesthetics of Contradiction in Compañero Presidente (Miguel Littín, 1971) |
| title_full_unstemmed |
Filming the Chilean Road to Socialism: Aesthetics of Contradiction in Compañero Presidente (Miguel Littín, 1971) |
| title_sort |
filming the chilean road to socialism: aesthetics of contradiction in compañero presidente (miguel littín, 1971) |
| publisher |
Universidad de Chile. Instituto de la Comunicación e Imagen |
| publishDate |
2011 |
| url |
http://www.comunicacionymedios.uchile.cl/index.php/RCM/article/view/19902 http://biblioteca.clacso.edu.ar/gsdl/cgi-bin/library.cgi?a=d&c=cl/cl-002&d=article19902oai |
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AT palaciosjosemiguel filmingthechileanroadtosocialismaestheticsofcontradictionincompaneropresidentemiguellittin1971 AT palaciosjosemiguel filmandolaviachilenaalsocialismoesteticadelacontradiccionencompaneropresidentemiguellittin1971 |
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Repositorios |
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1764820433241112577 |