DJing & Reading the Crowd in an EDM Context from a Second Person Perspective
Background: DJing is a performance where a DJ plays pre-made electronic dance music’s tracks (EDM) for a dancing crowd during a party. DJs claim they read the crowd in order to play music (Broughton & Brewster, 2002), making DJ-audience interaction very relevant to DJing. The active participatio...
Guardado en:
| Autores principales: | , |
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| Formato: | Objeto de conferencia Resumen |
| Lenguaje: | Inglés |
| Publicado: |
2021
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| Materias: | |
| Acceso en línea: | http://sedici.unlp.edu.ar/handle/10915/136939 |
| Aporte de: |
| id |
I19-R120-10915-136939 |
|---|---|
| record_format |
dspace |
| institution |
Universidad Nacional de La Plata |
| institution_str |
I-19 |
| repository_str |
R-120 |
| collection |
SEDICI (UNLP) |
| language |
Inglés |
| topic |
Música Electronic dance music DJ second person interaction Performance audience |
| spellingShingle |
Música Electronic dance music DJ second person interaction Performance audience Marchiano, María Tanco, Matías Germán DJing & Reading the Crowd in an EDM Context from a Second Person Perspective |
| topic_facet |
Música Electronic dance music DJ second person interaction Performance audience |
| description |
Background: DJing is a performance where a DJ plays pre-made electronic dance music’s tracks (EDM) for a dancing crowd during a party. DJs claim they read the crowd in order to play music (Broughton & Brewster, 2002), making DJ-audience interaction very relevant to DJing. The active participation of the crowd that the party requires makes a difference from other performer-audience situations. We think that this could be a case of Second Person Interaction, whose main features involve face-to-face exchanges, direct perception of mental states in others’ body expressions, psychological attributions, changes in both mental states and reciprocal actions (Pérez & Gomila, 2021). Both the musical performance and the one-to-many interaction’s features involved in DJing has not yet been fully described from a second-person perspective. Aims: The research aimed to describe DJ-crowd interaction from the DJ’s perspective, identify its second person features, and analyze the impact of this interaction on music. |
| format |
Objeto de conferencia Resumen |
| author |
Marchiano, María Tanco, Matías Germán |
| author_facet |
Marchiano, María Tanco, Matías Germán |
| author_sort |
Marchiano, María |
| title |
DJing & Reading the Crowd in an EDM Context from a Second Person Perspective |
| title_short |
DJing & Reading the Crowd in an EDM Context from a Second Person Perspective |
| title_full |
DJing & Reading the Crowd in an EDM Context from a Second Person Perspective |
| title_fullStr |
DJing & Reading the Crowd in an EDM Context from a Second Person Perspective |
| title_full_unstemmed |
DJing & Reading the Crowd in an EDM Context from a Second Person Perspective |
| title_sort |
djing & reading the crowd in an edm context from a second person perspective |
| publishDate |
2021 |
| url |
http://sedici.unlp.edu.ar/handle/10915/136939 |
| work_keys_str_mv |
AT marchianomaria djingreadingthecrowdinanedmcontextfromasecondpersonperspective AT tancomatiasgerman djingreadingthecrowdinanedmcontextfromasecondpersonperspective |
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Repositorios |
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1764820457569124353 |