Theatrical Ethos and techné. : Reflexes of the Domination and Collaboration Societies
This paper aims to explore the ethics of theatrical technique, τεχνη, which extends far beyond the purely technical aspects of the notion, referring instead to the essential quality attached to artistic workmanship. The correct usage of this τεχνη has ethical ramifications...
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| Formato: | Artículo publishedVersion |
| Lenguaje: | Español |
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Facultad de Filosofía y Letras, Universidad de Buenos Aires
2022
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| Acceso en línea: | https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/11143 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=11143_oai |
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I28-R145-11143_oai2025-11-17 Cantú Toscano, Mario Bejarle Pano, Guadalupe Zúñiga Gómez, Denisse Serrano Moreno, Daniel Cantú Toscano, Mario Bejarle Pano, Guadalupe Zúñiga Gómez, Denisse Serrano Moreno, Daniel 2022-05-19 This paper aims to explore the ethics of theatrical technique, τεχνη, which extends far beyond the purely technical aspects of the notion, referring instead to the essential quality attached to artistic workmanship. The correct usage of this τεχνη has ethical ramifications that involve the identification of two basic models of interpersonal, social, cultural and economic relationships: domination and collaboration. Unlike other artistic disciplines, theatrical τεχνη has proper ethical implications that stem from the fact that, on stage, the actor does not work directly for the spectator, but for his partner. En este trabajo se indaga sobre la ética de la técnica τεχνη teatral, la cual se entiende más allá de simplemente una técnica, sino como algo imprescindible para la calidad de factura de la obra artística. El uso correcto de esta τεχνη tiene implicaciones éticas en cuanto a la identificación con dos modelos básicos de relaciones interpersonales, sociales, culturales e incluso económicas: la dominación y la colaboración. La τεχνη teatral tiene implicaciones éticas porque en su desarrollo está en que, a diferencia de otras disciplinas artísticas, no se trabaja directamente para el espectador, sino para el compañero. application/pdf https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/11143 10.34096/tdf.n35.11143 spa Facultad de Filosofía y Letras, Universidad de Buenos Aires https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/11143/10507 telondefondo. Revista de Teoría y Crítica Teatral; Núm. 35 (2022) 1669-6301 Technique ethics stage theatre performance collaboration domination Técnica ética teatro actuación colaboración dominación Theatrical Ethos and techné. : Reflexes of the Domination and Collaboration Societies Ethos y techné teatrales: Reflejos de las sociedades de dominación y colaboración info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=11143_oai |
| institution |
Universidad de Buenos Aires |
| institution_str |
I-28 |
| repository_str |
R-145 |
| collection |
Repositorio Digital de la Universidad de Buenos Aires (UBA) |
| language |
Español |
| orig_language_str_mv |
spa |
| topic |
Technique ethics stage theatre performance collaboration domination Técnica ética teatro actuación colaboración dominación |
| spellingShingle |
Technique ethics stage theatre performance collaboration domination Técnica ética teatro actuación colaboración dominación Cantú Toscano, Mario Bejarle Pano, Guadalupe Zúñiga Gómez, Denisse Serrano Moreno, Daniel Cantú Toscano, Mario Bejarle Pano, Guadalupe Zúñiga Gómez, Denisse Serrano Moreno, Daniel Theatrical Ethos and techné. : Reflexes of the Domination and Collaboration Societies |
| topic_facet |
Technique ethics stage theatre performance collaboration domination Técnica ética teatro actuación colaboración dominación |
| description |
This paper aims to explore the ethics of theatrical technique, τεχνη, which extends far beyond the purely technical aspects of the notion, referring instead to the essential quality attached to artistic workmanship. The correct usage of this τεχνη has ethical ramifications that involve the identification of two basic models of interpersonal, social, cultural and economic relationships: domination and collaboration. Unlike other artistic disciplines, theatrical τεχνη has proper ethical implications that stem from the fact that, on stage, the actor does not work directly for the spectator, but for his partner. |
| format |
Artículo publishedVersion |
| author |
Cantú Toscano, Mario Bejarle Pano, Guadalupe Zúñiga Gómez, Denisse Serrano Moreno, Daniel Cantú Toscano, Mario Bejarle Pano, Guadalupe Zúñiga Gómez, Denisse Serrano Moreno, Daniel |
| author_facet |
Cantú Toscano, Mario Bejarle Pano, Guadalupe Zúñiga Gómez, Denisse Serrano Moreno, Daniel Cantú Toscano, Mario Bejarle Pano, Guadalupe Zúñiga Gómez, Denisse Serrano Moreno, Daniel |
| author_sort |
Cantú Toscano, Mario |
| title |
Theatrical Ethos and techné. : Reflexes of the Domination and Collaboration Societies |
| title_short |
Theatrical Ethos and techné. : Reflexes of the Domination and Collaboration Societies |
| title_full |
Theatrical Ethos and techné. : Reflexes of the Domination and Collaboration Societies |
| title_fullStr |
Theatrical Ethos and techné. : Reflexes of the Domination and Collaboration Societies |
| title_full_unstemmed |
Theatrical Ethos and techné. : Reflexes of the Domination and Collaboration Societies |
| title_sort |
theatrical ethos and techné. : reflexes of the domination and collaboration societies |
| publisher |
Facultad de Filosofía y Letras, Universidad de Buenos Aires |
| publishDate |
2022 |
| url |
https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/11143 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=11143_oai |
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