The Musical Industry and the Disruption Caused by Digital Technology. The Tropical Bass Independent Music Scene in Lima City
This article analyzes the disruptive effects of digital technology in the music industry. We will carry out a critical analysis of Yúdice’s positions around the Music 2.0 model and Chris Anderson's long tail theory. We will analyze what the artists' adaptation process to this new cultural...
Guardado en:
| Autores principales: | , |
|---|---|
| Formato: | Artículo publishedVersion |
| Lenguaje: | Español |
| Publicado: |
Facultad de Filosofía y Letras, Universidad de Buenos Aires
2023
|
| Materias: | |
| Acceso en línea: | https://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/11237 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=eloido&d=11237_oai |
| Aporte de: |
| id |
I28-R145-11237_oai |
|---|---|
| record_format |
dspace |
| spelling |
I28-R145-11237_oai2025-11-17 bailon, Jaime Roncoroni, umberto 2023-02-24 This article analyzes the disruptive effects of digital technology in the music industry. We will carry out a critical analysis of Yúdice’s positions around the Music 2.0 model and Chris Anderson's long tail theory. We will analyze what the artists' adaptation process to this new cultural ecosystem has been like, taking as a case study the production and distribution strategies of the tropical bass electronic music scene in Lima city. Chicha music is the foundation of this style and genre, which, in addition to being an interesting aesthetic phenomenon, also has great social importance: it designates forms of socialization of a large sector of the Peruvian population, and is the result of migrations from rural areas to the capital city, the informal economy, and the political crisis. Este artículo analiza los efectos disruptivos de la tecnología digital en el campo de la industria musical. Abordaremos la conformación del modelo Music 2.0, estudiado por George Yúdice, y la teoría de la larga cola de Chris Anderson. Analizaremos cómo ha sido el proceso de adaptación de los artistas a este nuevo ecosistema cultural, tomando como estudio de caso las estrategias de producción y distribución de la escena de la música electrónica tropical bass en la ciudad de Lima. Este género tiene como una de sus matrices la música chicha, que además de ser un interesante fenómeno estético, tiene a su vez una gran importancia social: designa formas de socialización de un amplio sector de la población peruana y ha sido producto de los procesos migratorios de las zonas rurales a la ciudad capital, la economía informal y la crisis política. Este artigo analisa os efeitos disruptivos da tecnologia digital no campo da indústria musical. Estudaremos a conformação do modelo Music 2.0, estudado por George Yúdice, e a teoria da long tail e Chris Anderson. Analisaremos como tem sido o processo de adaptação dos artistas a esse novo ecossistema cultural, tomando como estudo de caso as estratégias de produção e distribuição da cena tropical bass eletrônico na cidade de Lima. Esse gênero musical tem como uma de suas matrizes a música chicha, além de ser um fenômeno estético interessante, também tem grande importância social: ela designa formas de socialização de um grande setor da população peruana que é resultado das migrações do campo para a capital, da economia informal e da crise política. application/pdf https://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/11237 10.34096/oidopensante.v11n1.11237 spa Facultad de Filosofía y Letras, Universidad de Buenos Aires https://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/11237/11250 Derechos de autor 2023 El oído pensante El oído pensante; Vol. 11 No. 1 (2023): Marzo 2023 - Septiembre 2023 El oído pensante; Vol. 11 Núm. 1 (2023): Marzo 2023 - Septiembre 2023 El oído pensante; v. 11 n. 1 (2023): Marzo 2023 - Septiembre 2023 2250-7116 majors emprendimiento digital cumbia digital tropical bass música electrónica digital audio workstation majors empreendedorismo digital cumbia digital tropical bass música eletrônica estação de trabalho de áudio digital Majors culturepreneurship digital cumbia tropical bass electronic music EDM, digital audio workstation The Musical Industry and the Disruption Caused by Digital Technology. The Tropical Bass Independent Music Scene in Lima City La industria musical y la disrupción de la tecnología digital. El caso de la escena tropical bass en la ciudad de Lima A indústria da música e a ruptura da tecnologia digital. O caso tropical bass na cidade de Lima info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=eloido&d=11237_oai |
| institution |
Universidad de Buenos Aires |
| institution_str |
I-28 |
| repository_str |
R-145 |
| collection |
Repositorio Digital de la Universidad de Buenos Aires (UBA) |
| language |
Español |
| orig_language_str_mv |
spa |
| topic |
majors emprendimiento digital cumbia digital tropical bass música electrónica digital audio workstation majors empreendedorismo digital cumbia digital tropical bass música eletrônica estação de trabalho de áudio digital Majors culturepreneurship digital cumbia tropical bass electronic music EDM, digital audio workstation |
| spellingShingle |
majors emprendimiento digital cumbia digital tropical bass música electrónica digital audio workstation majors empreendedorismo digital cumbia digital tropical bass música eletrônica estação de trabalho de áudio digital Majors culturepreneurship digital cumbia tropical bass electronic music EDM, digital audio workstation bailon, Jaime Roncoroni, umberto The Musical Industry and the Disruption Caused by Digital Technology. The Tropical Bass Independent Music Scene in Lima City |
| topic_facet |
majors emprendimiento digital cumbia digital tropical bass música electrónica digital audio workstation majors empreendedorismo digital cumbia digital tropical bass música eletrônica estação de trabalho de áudio digital Majors culturepreneurship digital cumbia tropical bass electronic music EDM, digital audio workstation |
| description |
This article analyzes the disruptive effects of digital technology in the music industry. We will carry out a critical analysis of Yúdice’s positions around the Music 2.0 model and Chris Anderson's long tail theory. We will analyze what the artists' adaptation process to this new cultural ecosystem has been like, taking as a case study the production and distribution strategies of the tropical bass electronic music scene in Lima city. Chicha music is the foundation of this style and genre, which, in addition to being an interesting aesthetic phenomenon, also has great social importance: it designates forms of socialization of a large sector of the Peruvian population, and is the result of migrations from rural areas to the capital city, the informal economy, and the political crisis. |
| format |
Artículo publishedVersion |
| author |
bailon, Jaime Roncoroni, umberto |
| author_facet |
bailon, Jaime Roncoroni, umberto |
| author_sort |
bailon, Jaime |
| title |
The Musical Industry and the Disruption Caused by Digital Technology. The Tropical Bass Independent Music Scene in Lima City |
| title_short |
The Musical Industry and the Disruption Caused by Digital Technology. The Tropical Bass Independent Music Scene in Lima City |
| title_full |
The Musical Industry and the Disruption Caused by Digital Technology. The Tropical Bass Independent Music Scene in Lima City |
| title_fullStr |
The Musical Industry and the Disruption Caused by Digital Technology. The Tropical Bass Independent Music Scene in Lima City |
| title_full_unstemmed |
The Musical Industry and the Disruption Caused by Digital Technology. The Tropical Bass Independent Music Scene in Lima City |
| title_sort |
musical industry and the disruption caused by digital technology. the tropical bass independent music scene in lima city |
| publisher |
Facultad de Filosofía y Letras, Universidad de Buenos Aires |
| publishDate |
2023 |
| url |
https://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/11237 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=eloido&d=11237_oai |
| work_keys_str_mv |
AT bailonjaime themusicalindustryandthedisruptioncausedbydigitaltechnologythetropicalbassindependentmusicsceneinlimacity AT roncoroniumberto themusicalindustryandthedisruptioncausedbydigitaltechnologythetropicalbassindependentmusicsceneinlimacity AT bailonjaime laindustriamusicalyladisrupciondelatecnologiadigitalelcasodelaescenatropicalbassenlaciudaddelima AT roncoroniumberto laindustriamusicalyladisrupciondelatecnologiadigitalelcasodelaescenatropicalbassenlaciudaddelima AT bailonjaime aindustriadamusicaearupturadatecnologiadigitalocasotropicalbassnacidadedelima AT roncoroniumberto aindustriadamusicaearupturadatecnologiadigitalocasotropicalbassnacidadedelima AT bailonjaime musicalindustryandthedisruptioncausedbydigitaltechnologythetropicalbassindependentmusicsceneinlimacity AT roncoroniumberto musicalindustryandthedisruptioncausedbydigitaltechnologythetropicalbassindependentmusicsceneinlimacity |
| _version_ |
1851374353872060416 |