Approach to The Theater of the Oppressed by Augusto Boal P (First part). Resonances of voluntary servitude according to Étienne de La Boétie
This essay is part of a broader investigation that aims to make a critical approach to Augusto Boal's Theater of the Oppressed with the aim of expanding the conceptualization of theatrical praxis, a discipline that we have been building for several years. In this initial work we have been conce...
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| Formato: | Artículo publishedVersion |
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Facultad de Filosofía y Letras, Universidad de Buenos Aires
2022
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| Acceso en línea: | https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/11409 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=11409_oai |
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I28-R145-11409_oai2025-11-17 Geirola, Gustavo Geirola, Gustavo 2022-05-19 This essay is part of a broader investigation that aims to make a critical approach to Augusto Boal's Theater of the Oppressed with the aim of expanding the conceptualization of theatrical praxis, a discipline that we have been building for several years. In this initial work we have been concerned with the meaning of two words: 'people' and 'oppressed' in the texts of the Brazilian master. For this, we have found it necessary to carry out a kind of genealogy in order to guide resonances of other authors in the Boalian proposal. In this case, we have focused on approaching the Discourse on voluntary servitude or Contra Uno (circa 1548) by Étienne de La Boétie. We try to make a reading of the Discourse from psychoanalytic premises and from the Lacanian left to clear some hypotheses capable of acting as a guide for future research, which will be focused on a selection of texts and authors whose relevance in the Theater of the Oppressed cannot be ignored. Este ensayo forma parte de una investigación más amplia que pretende realizar un acercamiento crítico al Teatro del Oprimido de Augusto Boal con el objetivo de dar expansión a la conceptualización de la praxis teatral, disciplina que hemos venido construyendo durante varios años. En este trabajo inicial nos ha preocupado el sentido del vocablo pueblo y oprimido en los textos del maestro brasileño. Para ello, nos ha parecido necesario realizar una especie de genealogía a fin de ir pautando resonancias de otros autores en la propuesta boaliana. En este caso, nos hemos centrado en aproximarnos al Discurso sobre la servidumbre voluntaria o el Contra Uno (circa 1548) de Étienne de La Boétie. Intentamos realizar una lectura del Discurso desde premisas psicoanalíticas y desde la izquierda lacaniana para despejar algunas hipótesis capaces de oficiar de guía para la investigación futura, la cual estará enfocada en una selección de textos y autores cuya relevancia en el Teatro del Oprimido no puede soslayarse. application/pdf https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/11409 10.34096/tdf.n35.11409 spa Facultad de Filosofía y Letras, Universidad de Buenos Aires https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/11409/10523 telondefondo. Revista de Teoría y Crítica Teatral; Núm. 35 (2022) 1669-6301 Boal La Boétie theatrical praxis people oppressed Boal La Boétie praxis teatral pueblo oprimido Approach to The Theater of the Oppressed by Augusto Boal P (First part). Resonances of voluntary servitude according to Étienne de La Boétie Aproximación al Teatro del Oprimido de Augusto Boal (Primera parte). Resonancias de la servidumbre voluntaria según Étienne de La Boétie info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=11409_oai |
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Universidad de Buenos Aires |
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I-28 |
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Repositorio Digital de la Universidad de Buenos Aires (UBA) |
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Español |
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spa |
| topic |
Boal La Boétie theatrical praxis people oppressed Boal La Boétie praxis teatral pueblo oprimido |
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Boal La Boétie theatrical praxis people oppressed Boal La Boétie praxis teatral pueblo oprimido Geirola, Gustavo Geirola, Gustavo Approach to The Theater of the Oppressed by Augusto Boal P (First part). Resonances of voluntary servitude according to Étienne de La Boétie |
| topic_facet |
Boal La Boétie theatrical praxis people oppressed Boal La Boétie praxis teatral pueblo oprimido |
| description |
This essay is part of a broader investigation that aims to make a critical approach to Augusto Boal's Theater of the Oppressed with the aim of expanding the conceptualization of theatrical praxis, a discipline that we have been building for several years. In this initial work we have been concerned with the meaning of two words: 'people' and 'oppressed' in the texts of the Brazilian master. For this, we have found it necessary to carry out a kind of genealogy in order to guide resonances of other authors in the Boalian proposal. In this case, we have focused on approaching the Discourse on voluntary servitude or Contra Uno (circa 1548) by Étienne de La Boétie. We try to make a reading of the Discourse from psychoanalytic premises and from the Lacanian left to clear some hypotheses capable of acting as a guide for future research, which will be focused on a selection of texts and authors whose relevance in the Theater of the Oppressed cannot be ignored. |
| format |
Artículo publishedVersion |
| author |
Geirola, Gustavo Geirola, Gustavo |
| author_facet |
Geirola, Gustavo Geirola, Gustavo |
| author_sort |
Geirola, Gustavo |
| title |
Approach to The Theater of the Oppressed by Augusto Boal P (First part). Resonances of voluntary servitude according to Étienne de La Boétie |
| title_short |
Approach to The Theater of the Oppressed by Augusto Boal P (First part). Resonances of voluntary servitude according to Étienne de La Boétie |
| title_full |
Approach to The Theater of the Oppressed by Augusto Boal P (First part). Resonances of voluntary servitude according to Étienne de La Boétie |
| title_fullStr |
Approach to The Theater of the Oppressed by Augusto Boal P (First part). Resonances of voluntary servitude according to Étienne de La Boétie |
| title_full_unstemmed |
Approach to The Theater of the Oppressed by Augusto Boal P (First part). Resonances of voluntary servitude according to Étienne de La Boétie |
| title_sort |
approach to the theater of the oppressed by augusto boal p (first part). resonances of voluntary servitude according to étienne de la boétie |
| publisher |
Facultad de Filosofía y Letras, Universidad de Buenos Aires |
| publishDate |
2022 |
| url |
https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/11409 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=11409_oai |
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