Masculinity and Violence in Daniel Dalmaroni’s "Maté a un Tipo". The Argentinian and the Global

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The present essay delves into the representations of masculinity and its connection with violence. It attempts to explore the idea of violence as a component of hegemonic masculinity (a term introduced by the Australian sociologist Raewyn W. Connel, 1995) in the play Maté a un Tipo (2006) by the Arg...

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Autor principal: Gerakis, Panos
Formato: Artículo publishedVersion
Lenguaje:Español
Publicado: Facultad de Filosofía y Letras, Universidad de Buenos Aires 2023
Materias:
drama
masculinities
masculinity crisis
Argentina
violence
Daniel Dalmaroni
Masculinities
Masculinity crisis
Violence
teatro
masculinidades
crisis masculina
violencia
Acceso en línea:https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/13290
https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=13290_oai
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Repositorio Digital de la Universidad de Buenos Aires (UBA) de Universidad de Buenos Aires
id I28-R145-13290_oai
record_format dspace
spelling I28-R145-13290_oai2025-11-17 Gerakis, Panos Gerakis, Panos 2023-10-20 The present essay delves into the representations of masculinity and its connection with violence. It attempts to explore the idea of violence as a component of hegemonic masculinity (a term introduced by the Australian sociologist Raewyn W. Connel, 1995) in the play Maté a un Tipo (2006) by the Argentinian playwright Daniel Dalmaroni. Through the absurd and grotesque depictions of violence that are made explicit in the text as well as the character dynamics I explore the multifaceted aspects of masculinity and its association with violence both as a man’s privilege and a social phenomenon. The analysis reveals the complexity and precariousness of masculinity as presented in Maté a un Tipo, and acknowledges that it is both shaped by local cultural norms and global representations. Given the cultural gap still existing among several societies around certain ideas and subjectivities (such as that of masculinity-ies), despite today’s globalization, Argentina seems to serve as a good bridging example due its society’s hybridity, as supported by Argentinian anthropologist Eduardo Archetti (2016). The article concludes with proposing further questioning of masculinities and cross-cultural comparisons in order for further insight to be acquired around men’s lives and identities within a global context. El Presente articulo profundiza en las representaciones de la masculinidad y su coneción con la violencia. Intenta explorar la idea de la violencia como componente de la masculinidad hegemónica (término introducido por la socióloga Raewyn Connell, 1995) en la obra Maté a un Tipo (2006) del argentino dramaturgo Daniel Dalmaroni. A través de las representaciones absurdas y grotescas de los personajes y sus actos violentos que se hacen explícitos en el texto, al igual que la dinámica entre los personajes, se exploran los aspectos multifacéticos de la masculinidad y su asociación con la violenciacomo "privilegio del hombre" y fenómeno social. El análisis revela la complejidad y la precariedad de la masculinidad tal como se presenta en Maté a un Tipo y reconoce que está moldeada por las normas culturales locales y las representaciones globales. Dada la persistente brecha cultural entre diversas sociedades en relación a ciertas ideas y subjetividades como la masculinidad'es, a pesar de la actual globalización, Argentina pareve ejemplificar un puente debido a la 'hibridez' de su sociedad, como apoya el antropólogi argentino Eduardo Archetti (2016). El artículo concluye proponiendo un mayor cuestionamiento de las masculinidades y las comparaciones interculturales para que se adquiera una mayor comprensión de las vidas e identidades de los hombres dentro de un contexto global. application/pdf https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/13290 10.34096/tdf.n38.13290 spa Facultad de Filosofía y Letras, Universidad de Buenos Aires https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/13290/12375 telondefondo. Revista de Teoría y Crítica Teatral; Núm. 38 (2023) 1669-6301 drama masculinities masculinity crisis Argentina violence Daniel Dalmaroni Masculinities Masculinity crisis Violence teatro masculinidades crisis masculina Argentina violencia Daniel Dalmaroni Masculinity and Violence in Daniel Dalmaroni’s "Maté a un Tipo". The Argentinian and the Global Masculinidad y violencia en "Maté a un Tipo" de Daniel Dalmaroni. Lo argentino y lo global. info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=13290_oai
institution Universidad de Buenos Aires
institution_str I-28
repository_str R-145
collection Repositorio Digital de la Universidad de Buenos Aires (UBA)
language Español
orig_language_str_mv spa
topic drama
masculinities
masculinity crisis
Argentina
violence
Daniel Dalmaroni
Masculinities
Masculinity crisis
Violence
teatro
masculinidades
crisis masculina
Argentina
violencia
Daniel Dalmaroni
spellingShingle drama
masculinities
masculinity crisis
Argentina
violence
Daniel Dalmaroni
Masculinities
Masculinity crisis
Violence
teatro
masculinidades
crisis masculina
Argentina
violencia
Daniel Dalmaroni
Gerakis, Panos
Gerakis, Panos
Masculinity and Violence in Daniel Dalmaroni’s "Maté a un Tipo". The Argentinian and the Global
topic_facet drama
masculinities
masculinity crisis
Argentina
violence
Daniel Dalmaroni
Masculinities
Masculinity crisis
Violence
teatro
masculinidades
crisis masculina
Argentina
violencia
Daniel Dalmaroni
description The present essay delves into the representations of masculinity and its connection with violence. It attempts to explore the idea of violence as a component of hegemonic masculinity (a term introduced by the Australian sociologist Raewyn W. Connel, 1995) in the play Maté a un Tipo (2006) by the Argentinian playwright Daniel Dalmaroni. Through the absurd and grotesque depictions of violence that are made explicit in the text as well as the character dynamics I explore the multifaceted aspects of masculinity and its association with violence both as a man’s privilege and a social phenomenon. The analysis reveals the complexity and precariousness of masculinity as presented in Maté a un Tipo, and acknowledges that it is both shaped by local cultural norms and global representations. Given the cultural gap still existing among several societies around certain ideas and subjectivities (such as that of masculinity-ies), despite today’s globalization, Argentina seems to serve as a good bridging example due its society’s hybridity, as supported by Argentinian anthropologist Eduardo Archetti (2016). The article concludes with proposing further questioning of masculinities and cross-cultural comparisons in order for further insight to be acquired around men’s lives and identities within a global context.
format Artículo
publishedVersion
author Gerakis, Panos
Gerakis, Panos
author_facet Gerakis, Panos
Gerakis, Panos
author_sort Gerakis, Panos
title Masculinity and Violence in Daniel Dalmaroni’s "Maté a un Tipo". The Argentinian and the Global
title_short Masculinity and Violence in Daniel Dalmaroni’s "Maté a un Tipo". The Argentinian and the Global
title_full Masculinity and Violence in Daniel Dalmaroni’s "Maté a un Tipo". The Argentinian and the Global
title_fullStr Masculinity and Violence in Daniel Dalmaroni’s "Maté a un Tipo". The Argentinian and the Global
title_full_unstemmed Masculinity and Violence in Daniel Dalmaroni’s "Maté a un Tipo". The Argentinian and the Global
title_sort masculinity and violence in daniel dalmaroni’s "maté a un tipo". the argentinian and the global
publisher Facultad de Filosofía y Letras, Universidad de Buenos Aires
publishDate 2023
url https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/13290
https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=13290_oai
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