Rock art, time and space in La Damiana (Quebrada de Incahuasi, Salta, Argentina)

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In this paper, we present the results of a spatial analysis of rock art from La Damiana (Quebrada de Incahuasi, Salta). We studied 163 engraved blocks, part of the Section 1 of the site, in order to define changes and continuities in the pastoralist landscapes from the Formative (700 B.C. – A.D. 100...

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Autor principal: De Feo, M. Eugenia
Formato: Artículo publishedVersion
Lenguaje:Español
Publicado: Instituto de Arqueología, Facultad de Filosofía y Letras, Universidad de Buenos Aires 2018
Materias:
Arte rupestre
Paisaje
Cronología
SIG
Rock art
Landscape
Chronology
GIS
Acceso en línea:https://revistascientificas.filo.uba.ar/index.php/Arqueologia/article/view/5380
https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=arqueo&d=5380_oai
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Repositorio Digital de la Universidad de Buenos Aires (UBA) de Universidad de Buenos Aires
id I28-R145-5380_oai
record_format dspace
spelling I28-R145-5380_oai2025-11-17 De Feo, M. Eugenia 2018-10-01 In this paper, we present the results of a spatial analysis of rock art from La Damiana (Quebrada de Incahuasi, Salta). We studied 163 engraved blocks, part of the Section 1 of the site, in order to define changes and continuities in the pastoralist landscapes from the Formative (700 B.C. – A.D. 1000) to the Late period (A.D. 1000 – 1430). We were interested in defining how later representations were spatially organized in relation to preexisting ones, and how the earlier engravings participated in the spatial arrangements of later pastoralist landscapes. The methodological approach supported by the use of GIS tools, sought to define the rock art’s spatial structure during each period and at different scales: a “block” scale that considered distributional and visual aspects for each chronological subset, and an “intra-block” scale that focused on reused surfaces, representations, and their spatial relationships. We observed a recurrence in the occupation of spaces and in the form in which they had been modified through rock art, with greater intensity during the Late period. Moreover, we suggest that at this moment new themes and modes of representation arose, even while some preexisting ones were still in use. En este artículo se presentan los resultados del análisis espacial de las manifestaciones rupestres de La Damiana (Quebrada de Incahuasi, Salta). El conjunto estudiado abarca 163 bloques grabados que componen el Tramo 1. A partir de su análisis se busca definir cambios y continuidades en los paisajes pastoriles desde el período Formativo (700 a.C. – 1000 d.C.) al Tardío (1000 – 1430 d.C.). Interesa conocer de qué manera las representaciones tardías se organizaron espacialmente y con respecto a otras preexistentes y cómo los grabados más tempranos participaron en el marco de las estrategias de configuración de los paisajes pastoriles posteriores. Se parte de un enfoque metodológico apoyado por el empleo de herramientas SIG y que indaga acerca de la estructura espacial del arte rupestre de cada periodo en una escala de bloque, abordando aspectos distribucionales y visuales de cada subconjunto, y otra intrabloque, que considera los soportes reutilizados, los motivos en estos plasmados y sus relaciones espaciales. Se observa una recurrencia en los espacios ocupados y la forma en que han sido intervenidos a partir del arte rupestre, aunque con una mayor intensidad durante el Tardío. A la vez que surgen nuevos temas y formas de representación, se sugiere la vigencia de otros preexistentes. application/pdf https://revistascientificas.filo.uba.ar/index.php/Arqueologia/article/view/5380 10.34096/arqueologia.t24.n3.5380 spa Instituto de Arqueología, Facultad de Filosofía y Letras, Universidad de Buenos Aires https://revistascientificas.filo.uba.ar/index.php/Arqueologia/article/view/5380/4879 Arqueología; Vol. 24 No. 3 (2018): September-December; 35-58 Arqueología; Vol. 24 Núm. 3 (2018): septiembre-diciembre; 35-58 1853-8126 0327-5159 Arte rupestre Paisaje Cronología SIG Rock art Landscape Chronology GIS Rock art, time and space in La Damiana (Quebrada de Incahuasi, Salta, Argentina) Arte rupestre, tiempo y espacio en La Damiana (Quebrada de Incahuasi, Salta, Argentina) info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=arqueo&d=5380_oai
institution Universidad de Buenos Aires
institution_str I-28
repository_str R-145
collection Repositorio Digital de la Universidad de Buenos Aires (UBA)
language Español
orig_language_str_mv spa
topic Arte rupestre
Paisaje
Cronología
SIG
Rock art
Landscape
Chronology
GIS
spellingShingle Arte rupestre
Paisaje
Cronología
SIG
Rock art
Landscape
Chronology
GIS
De Feo, M. Eugenia
Rock art, time and space in La Damiana (Quebrada de Incahuasi, Salta, Argentina)
topic_facet Arte rupestre
Paisaje
Cronología
SIG
Rock art
Landscape
Chronology
GIS
description In this paper, we present the results of a spatial analysis of rock art from La Damiana (Quebrada de Incahuasi, Salta). We studied 163 engraved blocks, part of the Section 1 of the site, in order to define changes and continuities in the pastoralist landscapes from the Formative (700 B.C. – A.D. 1000) to the Late period (A.D. 1000 – 1430). We were interested in defining how later representations were spatially organized in relation to preexisting ones, and how the earlier engravings participated in the spatial arrangements of later pastoralist landscapes. The methodological approach supported by the use of GIS tools, sought to define the rock art’s spatial structure during each period and at different scales: a “block” scale that considered distributional and visual aspects for each chronological subset, and an “intra-block” scale that focused on reused surfaces, representations, and their spatial relationships. We observed a recurrence in the occupation of spaces and in the form in which they had been modified through rock art, with greater intensity during the Late period. Moreover, we suggest that at this moment new themes and modes of representation arose, even while some preexisting ones were still in use.
format Artículo
publishedVersion
author De Feo, M. Eugenia
author_facet De Feo, M. Eugenia
author_sort De Feo, M. Eugenia
title Rock art, time and space in La Damiana (Quebrada de Incahuasi, Salta, Argentina)
title_short Rock art, time and space in La Damiana (Quebrada de Incahuasi, Salta, Argentina)
title_full Rock art, time and space in La Damiana (Quebrada de Incahuasi, Salta, Argentina)
title_fullStr Rock art, time and space in La Damiana (Quebrada de Incahuasi, Salta, Argentina)
title_full_unstemmed Rock art, time and space in La Damiana (Quebrada de Incahuasi, Salta, Argentina)
title_sort rock art, time and space in la damiana (quebrada de incahuasi, salta, argentina)
publisher Instituto de Arqueología, Facultad de Filosofía y Letras, Universidad de Buenos Aires
publishDate 2018
url https://revistascientificas.filo.uba.ar/index.php/Arqueologia/article/view/5380
https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=arqueo&d=5380_oai
work_keys_str_mv AT defeomeugenia rockarttimeandspaceinladamianaquebradadeincahuasisaltaargentina
AT defeomeugenia arterupestretiempoyespacioenladamianaquebradadeincahuasisaltaargentina
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