On the Use of the Diagram Notion for an Aesthetics of Theatre
From the Ars magna and the Ars Combinatoria of Lulio and Leibniz to the semiotics of Peirce and Eco and the hermeneutics of Beuchot the notion of diagram, by its analogy, has been shown to be useful to different disciplines or areas of knowledge, namely, logic, semiotics, hermeneutics, ontology and...
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Facultad de Filosofía y Letras, Universidad de Buenos Aires
2019
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| Acceso en línea: | https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/7246 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=7246_oai |
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I28-R145-7246_oai2025-11-17 Granados Valdéz, Juan 2019-11-01 From the Ars magna and the Ars Combinatoria of Lulio and Leibniz to the semiotics of Peirce and Eco and the hermeneutics of Beuchot the notion of diagram, by its analogy, has been shown to be useful to different disciplines or areas of knowledge, namely, logic, semiotics, hermeneutics, ontology and aesthetics. On this last field, understood as a philosophy of art, Deleuze’s Painting. The concept of a diagram is a milestone regarding its application, specifically, to a reflection on painting and what it offers to philosophy. The purpose of this paper is to study the findings of the French philosopher on the diagram in painting and apply them to theatre, within the framework of the Philosophical Hermeneutics of Beuchot, which has a close relationship with semiotics and the concept of the scenosphere that Cañada proposes following Kowzan, to found an aesthetic of the theater. The approach has a preliminary nature, suitableto engage in a dialogue aimed at the appreciation of theatrical productions. The proposition is, thus, that the notion of diagram makes possible an aesthetics of theater under the protection of hermeneutics and semiotics. Del Ars magna y el Ars combinatoria de Lulio y Leibniz a las semióticas de Peirce y Eco y la hermenéutica de Beuchot la noción de diagrama, por su analogicidad, se ha mostrado provechosa a distintas disciplinas o áreas del conocimiento, a saber, la lógica, la semiótica, la hermenéutica, la ontología y la estética. En ésta, entendida como filosofía del arte, el trabajo de Deleuze, Pintura. El concepto de diagrama, es un hito en su aplicación, específicamente, a pensar la pintura y lo que ésta ofrece a la filosofía. El propósito de este escrito es recuperar los hallazgos del filósofo francés sobre el diagrama en la pintura y aplicarlos al teatro, en el marco de la Hermenéutica filosófica de Beuchot, que guarda una estrecha relación con la semiótica, y el concepto de escenósfera que propone Cañada, en seguimiento de Kowzan, para fundar una estética del teatro. El planteamiento tiene un carácter preliminar, adecuado para entablar un diálogo que avance en la apreciación de los avatares escénicos. Se sostiene, pues, que la noción de diagrama posibilita una estética del teatro al amparo de la hermenéutica y la semiótica. application/pdf https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/7246 spa Facultad de Filosofía y Letras, Universidad de Buenos Aires https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/7246/6500 telondefondo. Revista de Teoría y Crítica Teatral; Núm. 30 (2019); 62-70 1669-6301 diagram aesthetics theater hermeneutics semiotics diagrama estética teatro hermenéutica semiótica On the Use of the Diagram Notion for an Aesthetics of Theatre Sobre el uso de la noción de diagrama para una estética del teatro info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=7246_oai |
| institution |
Universidad de Buenos Aires |
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I-28 |
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R-145 |
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Repositorio Digital de la Universidad de Buenos Aires (UBA) |
| language |
Español |
| orig_language_str_mv |
spa |
| topic |
diagram aesthetics theater hermeneutics semiotics diagrama estética teatro hermenéutica semiótica |
| spellingShingle |
diagram aesthetics theater hermeneutics semiotics diagrama estética teatro hermenéutica semiótica Granados Valdéz, Juan On the Use of the Diagram Notion for an Aesthetics of Theatre |
| topic_facet |
diagram aesthetics theater hermeneutics semiotics diagrama estética teatro hermenéutica semiótica |
| description |
From the Ars magna and the Ars Combinatoria of Lulio and Leibniz to the semiotics of Peirce and Eco and the hermeneutics of Beuchot the notion of diagram, by its analogy, has been shown to be useful to different disciplines or areas of knowledge, namely, logic, semiotics, hermeneutics, ontology and aesthetics. On this last field, understood as a philosophy of art, Deleuze’s Painting. The concept of a diagram is a milestone regarding its application, specifically, to a reflection on painting and what it offers to philosophy. The purpose of this paper is to study the findings of the French philosopher on the diagram in painting and apply them to theatre, within the framework of the Philosophical Hermeneutics of Beuchot, which has a close relationship with semiotics and the concept of the scenosphere that Cañada proposes following Kowzan, to found an aesthetic of the theater. The approach has a preliminary nature, suitableto engage in a dialogue aimed at the appreciation of theatrical productions. The proposition is, thus, that the notion of diagram makes possible an aesthetics of theater under the protection of hermeneutics and semiotics. |
| format |
Artículo publishedVersion |
| author |
Granados Valdéz, Juan |
| author_facet |
Granados Valdéz, Juan |
| author_sort |
Granados Valdéz, Juan |
| title |
On the Use of the Diagram Notion for an Aesthetics of Theatre |
| title_short |
On the Use of the Diagram Notion for an Aesthetics of Theatre |
| title_full |
On the Use of the Diagram Notion for an Aesthetics of Theatre |
| title_fullStr |
On the Use of the Diagram Notion for an Aesthetics of Theatre |
| title_full_unstemmed |
On the Use of the Diagram Notion for an Aesthetics of Theatre |
| title_sort |
on the use of the diagram notion for an aesthetics of theatre |
| publisher |
Facultad de Filosofía y Letras, Universidad de Buenos Aires |
| publishDate |
2019 |
| url |
https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/7246 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=7246_oai |
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AT granadosvaldezjuan ontheuseofthediagramnotionforanaestheticsoftheatre AT granadosvaldezjuan sobreelusodelanociondediagramaparaunaesteticadelteatro |
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