Intermedial listening: Aurality from a Rhetorical Perspective

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The notion of an intermedial listening is posed, conceived as the aural response to certain media stimuli that seek to transcend the limits of their own medial configuration. Such listening involves the recognition and interpretation of conventions consolidated from what can be defined as an interme...

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Autor principal: Woodside Woods, Jarret Julián
Formato: Artículo publishedVersion
Lenguaje:Español
Publicado: Facultad de Filosofía y Letras, Universidad de Buenos Aires 2019
Materias:
intermedialidad
retórica
medios
escucha
literatura comparada
intermedialidade
mídia
escuta
intermediality
rhetoric
media
listening
comparative literature
Acceso en línea:https://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/7567
https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=eloido&d=7567_oai
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Repositorio Digital de la Universidad de Buenos Aires (UBA) de Universidad de Buenos Aires
id I28-R145-7567_oai
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spelling I28-R145-7567_oai2025-11-17 Woodside Woods, Jarret Julián 2019-08-01 The notion of an intermedial listening is posed, conceived as the aural response to certain media stimuli that seek to transcend the limits of their own medial configuration. Such listening involves the recognition and interpretation of conventions consolidated from what can be defined as an intermedial sonic language. We start from the idea that talking about listening, as a mediated phenomenon, is limited if different literacies and media specificities are not considered, as well as an intermedial aural historicity. The possibilities of in praesentia and in absentia listening are also problematized, to later illustrate how three dynamics of intermedial rhetorization –ideasthesic punctuation, intermedial synecdoche and parodic setup– activate situations of intermedial listening by alluding to the aural experience of other medialities. Se plantea la noción de escucha intermedial, concebida como la respuesta aural a ciertos estímulos mediáticos que buscan trascender los límites de su propia configuración medial. Dicha escucha implica el reconocimiento e interpretación de convenciones consolidadas desde lo que se puede definir como un lenguaje sonoro intermedial. Se parte de la idea de que hablar sobre la escucha, como fenómeno mediado, resulta limitado si no se contemplan diversas literacidades y especificidades mediales, así como una historicidad aural intermedial. Se problematiza además sobre las posibilidades de escuchas in praesentia e in absentia, para después ilustrar cómo tres dinámicas de retorización intermedial –puntuación ideastésica, sinécdoque intermedial y puesta en situación paródica– activan situaciones de escucha intermedial a partir de la alusión a la experiencia aural de otras medialidades. Se coloca a noção de escuta intermediária, concebida como a resposta aural a certos estímulos mediáticos que procuram transcender os limites de sua própria configuração mediática. Essa escuta implica o reconhecimento e a interpretação de convenções consolidadas a partir do que se pode ser definido como uma linguagem sonora intermédia. Parte-se da ideia de que falar sobre a escuta, como um fenômeno mediado, é limitado se não contemplarmos diversas literacias e especificidades mediáticas, assim como uma historicidade aural intermediária. Problematiza-se, para além disso, sobre as possibilidades de escuta in praesentia e in absentia, para depois ilustrar como três dinâmicas de retórica intermédia –pontuação ideastésica, sinédoque intermedial e configuração paródica da situação– ativam situações de escuta intermediária a partir da alusão à experiência aural de outras medialidades. application/pdf https://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/7567 spa Facultad de Filosofía y Letras, Universidad de Buenos Aires https://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/7567/6779 El oído pensante; Vol. 7 No. 2 (2019): Agosto 2019 - Enero 2020 El oído pensante; Vol. 7 Núm. 2 (2019): Agosto 2019 - Enero 2020 El oído pensante; v. 7 n. 2 (2019): Agosto 2019 - Enero 2020 2250-7116 intermedialidad retórica medios escucha literatura comparada intermedialidade retórica mídia escuta literatura comparada intermediality rhetoric media listening comparative literature Intermedial listening: Aurality from a Rhetorical Perspective Escucha intermedial: auralidad desde una perspectiva retórica Escuta intermédia: auralidade a partir de uma perspectiva retórica info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=eloido&d=7567_oai
institution Universidad de Buenos Aires
institution_str I-28
repository_str R-145
collection Repositorio Digital de la Universidad de Buenos Aires (UBA)
language Español
orig_language_str_mv spa
topic intermedialidad
retórica
medios
escucha
literatura comparada
intermedialidade
retórica
mídia
escuta
literatura comparada
intermediality
rhetoric
media
listening
comparative literature
spellingShingle intermedialidad
retórica
medios
escucha
literatura comparada
intermedialidade
retórica
mídia
escuta
literatura comparada
intermediality
rhetoric
media
listening
comparative literature
Woodside Woods, Jarret Julián
Intermedial listening: Aurality from a Rhetorical Perspective
topic_facet intermedialidad
retórica
medios
escucha
literatura comparada
intermedialidade
retórica
mídia
escuta
literatura comparada
intermediality
rhetoric
media
listening
comparative literature
description The notion of an intermedial listening is posed, conceived as the aural response to certain media stimuli that seek to transcend the limits of their own medial configuration. Such listening involves the recognition and interpretation of conventions consolidated from what can be defined as an intermedial sonic language. We start from the idea that talking about listening, as a mediated phenomenon, is limited if different literacies and media specificities are not considered, as well as an intermedial aural historicity. The possibilities of in praesentia and in absentia listening are also problematized, to later illustrate how three dynamics of intermedial rhetorization –ideasthesic punctuation, intermedial synecdoche and parodic setup– activate situations of intermedial listening by alluding to the aural experience of other medialities.
format Artículo
publishedVersion
author Woodside Woods, Jarret Julián
author_facet Woodside Woods, Jarret Julián
author_sort Woodside Woods, Jarret Julián
title Intermedial listening: Aurality from a Rhetorical Perspective
title_short Intermedial listening: Aurality from a Rhetorical Perspective
title_full Intermedial listening: Aurality from a Rhetorical Perspective
title_fullStr Intermedial listening: Aurality from a Rhetorical Perspective
title_full_unstemmed Intermedial listening: Aurality from a Rhetorical Perspective
title_sort intermedial listening: aurality from a rhetorical perspective
publisher Facultad de Filosofía y Letras, Universidad de Buenos Aires
publishDate 2019
url https://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/7567
https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=eloido&d=7567_oai
work_keys_str_mv AT woodsidewoodsjarretjulian intermediallisteningauralityfromarhetoricalperspective
AT woodsidewoodsjarretjulian escuchaintermedialauralidaddesdeunaperspectivaretorica
AT woodsidewoodsjarretjulian escutaintermediaauralidadeapartirdeumaperspectivaretorica
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