A Dialogue between Music and Exact Sciences from a Metaphorical-Analogical Correspondence with the Concept of “Dissipative Structures” of Ilya Prigogine (Phowa for solo bass flute, a case study)

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The work intends to delve into the relationship between music and exact sciences form Ilya Prigogine´s point of view. So, first there is a brief historical tour that shows how the bonding of these two fields occurred; second, we try to understand which the limits of this bonding are; then, it is obs...

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Autor principal:	Araya, Pablo Federico
Formato:	Artículo publishedVersion
Lenguaje:	Español
Publicado:	Facultad de Filosofía y Letras, Universidad de Buenos Aires 2020
Materias:	música; ciencias exactas; metáfora; analogía; estructuras disipativas música; ciências exatas; metáfora; analogia; estruturas dissipativas Music; exact sciences; metaphor; analogy; dissipative structures
Acceso en línea:	https://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/8015 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=eloido&d=8015_oai
Aporte de:	Repositorio Digital de la Universidad de Buenos Aires (UBA) de Universidad de Buenos Aires

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institution	Universidad de Buenos Aires
institution_str	I-28
repository_str	R-145
collection	Repositorio Digital de la Universidad de Buenos Aires (UBA)
language	Español
orig_language_str_mv	spa
topic	música; ciencias exactas; metáfora; analogía; estructuras disipativas música; ciências exatas; metáfora; analogia; estruturas dissipativas Music; exact sciences; metaphor; analogy; dissipative structures
spellingShingle	música; ciencias exactas; metáfora; analogía; estructuras disipativas música; ciências exatas; metáfora; analogia; estruturas dissipativas Music; exact sciences; metaphor; analogy; dissipative structures Araya, Pablo Federico A Dialogue between Music and Exact Sciences from a Metaphorical-Analogical Correspondence with the Concept of “Dissipative Structures” of Ilya Prigogine (Phowa for solo bass flute, a case study)
topic_facet	música; ciencias exactas; metáfora; analogía; estructuras disipativas música; ciências exatas; metáfora; analogia; estruturas dissipativas Music; exact sciences; metaphor; analogy; dissipative structures
description	The work intends to delve into the relationship between music and exact sciences form Ilya Prigogine´s point of view. So, first there is a brief historical tour that shows how the bonding of these two fields occurred; second, we try to understand which the limits of this bonding are; then, it is observed that one of the feasible ways for this dialogue to take place is through metaphor and analogy: both function as concrete tools when establishing the link between music and exact sciences; that is why understanding and developing the concepts of metaphor and analogy is crucial. Finally, the metaphorization-analogization approach itself is explained, namely, the piece for solo bass flute called Phowa (2018) is taken as an example, and it is shown that it has a structural similarity with the notion of “dissipative structures” developed by Prigogine. Nevertheless, the crossing domain (metaphor/analogy) means that, at present, “new” cognitive-creative mechanisms have been developed by the composers at the moment of imagining and thinking their music (in particular, those musics that use very complex sonorities).
format	Artículo publishedVersion
author	Araya, Pablo Federico
author_facet	Araya, Pablo Federico
author_sort	Araya, Pablo Federico
title	A Dialogue between Music and Exact Sciences from a Metaphorical-Analogical Correspondence with the Concept of “Dissipative Structures” of Ilya Prigogine (Phowa for solo bass flute, a case study)
title_short	A Dialogue between Music and Exact Sciences from a Metaphorical-Analogical Correspondence with the Concept of “Dissipative Structures” of Ilya Prigogine (Phowa for solo bass flute, a case study)
title_full	A Dialogue between Music and Exact Sciences from a Metaphorical-Analogical Correspondence with the Concept of “Dissipative Structures” of Ilya Prigogine (Phowa for solo bass flute, a case study)
title_fullStr	A Dialogue between Music and Exact Sciences from a Metaphorical-Analogical Correspondence with the Concept of “Dissipative Structures” of Ilya Prigogine (Phowa for solo bass flute, a case study)
title_full_unstemmed	A Dialogue between Music and Exact Sciences from a Metaphorical-Analogical Correspondence with the Concept of “Dissipative Structures” of Ilya Prigogine (Phowa for solo bass flute, a case study)
title_sort	dialogue between music and exact sciences from a metaphorical-analogical correspondence with the concept of “dissipative structures” of ilya prigogine (phowa for solo bass flute, a case study)
publisher	Facultad de Filosofía y Letras, Universidad de Buenos Aires
publishDate	2020
url	https://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/8015 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=eloido&d=8015_oai
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spelling	I28-R145-8015_oai2025-11-17 Araya, Pablo Federico 2020-08-06 The work intends to delve into the relationship between music and exact sciences form Ilya Prigogine´s point of view. So, first there is a brief historical tour that shows how the bonding of these two fields occurred; second, we try to understand which the limits of this bonding are; then, it is observed that one of the feasible ways for this dialogue to take place is through metaphor and analogy: both function as concrete tools when establishing the link between music and exact sciences; that is why understanding and developing the concepts of metaphor and analogy is crucial. Finally, the metaphorization-analogization approach itself is explained, namely, the piece for solo bass flute called Phowa (2018) is taken as an example, and it is shown that it has a structural similarity with the notion of “dissipative structures” developed by Prigogine. Nevertheless, the crossing domain (metaphor/analogy) means that, at present, “new” cognitive-creative mechanisms have been developed by the composers at the moment of imagining and thinking their music (in particular, those musics that use very complex sonorities). El trabajo intenta profundizar sobre la relación entre música y ciencias exactas a partir de la mirada de Ilya Prigogine. En tal sentido, primero se realiza un breve recorrido histórico que explica cómo fue dándose la vinculación entre ambos campos; seguidamente se busca entender los límites y posibilidades de dicha vinculación apelando a una revisión crítica del asunto; posteriormente se observa que una de las vías factibles para este diálogo es a través de la metáfora y la analogía: lo uno y lo otro fungen como herramientas concretas al momento de establecer el vínculo entre música y ciencias exactas; por tal motivo, desarrollar lo metafórico y lo analógico resulta indispensable. Finalmente se explicita el enfoque de metaforización-analogización en sí, o sea, se toma la obra Phowa (2018) para flauta bajo sola y se muestra que esta posee una semejanza estructural con la noción de “estructuras disipativas” desarrollada por Prigogine. Ahora bien, el cruce de dominios al que se ha recurrido (metáfora/analogía), significa que, en la actualidad, se han puesto de manifiesto “nuevos” mecanismos creativo-cognitivos al momento de imaginar y pensar la música (particularmente aquella que utiliza sonoridades tímbricas muy complejas). O trabalho procura aprofundar a relação entre música e ciências exatas na perspectiva de Ilya Prigogine. Nesse sentido, primeiramente se realiza um breve percurso histórico que explica como começou a ligação entre os dois campos; em seguida, procura-se entender os limites e as possibilidades dessa ligação através de uma revisão crítica do assunto; posteriormente, observa-se que uma das vías possíveis para esse diálogo pode ser feita por meio da metáfora e da analogia: uma e outra funcionam como ferramentas concretas no momento de se estabelecer o vínculo entre música e ciências exatas; por esse motivo, é essencial desenvolver o metafórico e o analógico. Finalmente, explicita-se o enfoque da metaforação-analogização em si, isto é, toma-se a obra Phowa (2018) para flauta baixo solo, e mostra-se que esta possui uma semelhança estrutural com a noção de “estruturas dissipativas” desenvolvidas por Prigogine. Contudo, o cruzamento de domínios que foram utilizados (metáfora/analogía), significa que “novos” mecanismos criativos-cognitivos foram revelados no momento de imaginar e pensar a música (particularmente aquele que utiliza sonoridades tímbricas muito complexas). application/pdf text/html https://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/8015 10.34096/oidopensante.v8n2.8015 spa Facultad de Filosofía y Letras, Universidad de Buenos Aires https://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/8015/7379 https://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/8015/7514 Derechos de autor 2020 El oído pensante El oído pensante; Vol. 8 No. 2 (2020): Agosto 2020 - Enero 2021 El oído pensante; Vol. 8 Núm. 2 (2020): Agosto 2020 - Enero 2021 El oído pensante; v. 8 n. 2 (2020): Agosto 2020 - Enero 2021 2250-7116 música; ciencias exactas; metáfora; analogía; estructuras disipativas música; ciências exatas; metáfora; analogia; estruturas dissipativas Music; exact sciences; metaphor; analogy; dissipative structures A Dialogue between Music and Exact Sciences from a Metaphorical-Analogical Correspondence with the Concept of “Dissipative Structures” of Ilya Prigogine (Phowa for solo bass flute, a case study) Un diálogo entre música y ciencias exactas a partir de una correspondencia metafórico-analógica con el concepto de “estructuras disipativas” de Ilya Prigogine (Phowa para flauta bajo sola, un caso de estudio) Um diálogo entre música e ciências exatas a partir de uma correspondência metafórico-analógica com o conceito de “estruturas dissipativas” de Ilya Prigogine (Phowa para flauta baixo solo, um caso de estudo) info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=eloido&d=8015_oai

A Dialogue between Music and Exact Sciences from a Metaphorical-Analogical Correspondence with the Concept of “Dissipative Structures” of Ilya Prigogine (Phowa for solo bass flute, a case study)

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