Blues, Jazz, Rock and Theodor Adorno
The article discusses Adorno’s treatment of jazz and popular music, based on the distinction between “serious music” from “light music” (or consumable music), with repercussions on the very structure of works and songs. This study also implies a critical appreciation of what the German philosopher a...
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| Lenguaje: | Español |
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Facultad de Filosofía y Letras, Universidad de Buenos Aires
2021
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| Acceso en línea: | https://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/8363 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=eloido&d=8363_oai |
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I28-R145-8363_oai2025-11-17 Fridman, Luis Carlos Fridman, Luis Carlos 2021-10-14 The article discusses Adorno’s treatment of jazz and popular music, based on the distinction between “serious music” from “light music” (or consumable music), with repercussions on the very structure of works and songs. This study also implies a critical appreciation of what the German philosopher and sociologist called “regression of hearing” in popular music. It extends the discussion of such attribution to blues, jazz and rock in an approach that values musical genres as relevant and significant in the contemporary artistic experience. El artículo analiza el tratamiento que hace Adorno del jazz y la música popular, basado en distinción entre “música seria” y “música ligera” (o música consumible), con repercusiones en la estructura misma de obras y canciones. El estudio también incluye una apreciación crítica de lo que el filósofo y sociólogo alemán llamó “regresión de la audición” en la música popular. La discusión se extiende sobre tal atribución al blues, jazz y rock en un enfoque que valora los géneros musicales como relevantes y significativos en la experiencia artística contemporánea. O artigo discute o tratamento de Adorno conferido ao jazz e à música popular, a partir de sua formulação que distingue a “música séria” da “música ligeira” (ou consumível), com repercussões sobre a própria estrutura das obras e canções. Esse estudo implica também na apreciação crítica do que o filósofo e sociólogo alemão chamou de “regressão da audição” na música popular. Estende a discussão sobre tal atribuição ao blues, ao jazz e ao rock em uma abordagem que valoriza os gêneros musicais como relevantes e significativos na experiência artística contemporânea. application/pdf text/html https://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/8363 10.34096/oidopensante.v9n2.8363 spa Facultad de Filosofía y Letras, Universidad de Buenos Aires https://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/8363/9360 https://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/8363/9374 Derechos de autor 2021 El oído pensante El oído pensante; Vol. 9 No. 2 (2021): Septiembre 2021 - Febrero 2022 El oído pensante; Vol. 9 Núm. 2 (2021): Septiembre 2021 - Febrero 2022 El oído pensante; v. 9 n. 2 (2021): Septiembre 2021 - Febrero 2022 2250-7116 Adorno sociología de la música blues jazz rock Adorno sociologia da música blues jazz rock Adorno sociology of music blues jazz rock Blues, Jazz, Rock and Theodor Adorno Blues, jazz, rock y Theodor Adorno Blues, jazz, rock e Theodor Adorno info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=eloido&d=8363_oai |
| institution |
Universidad de Buenos Aires |
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I-28 |
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R-145 |
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Repositorio Digital de la Universidad de Buenos Aires (UBA) |
| language |
Español |
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spa |
| topic |
Adorno sociología de la música blues jazz rock Adorno sociologia da música blues jazz rock Adorno sociology of music blues jazz rock |
| spellingShingle |
Adorno sociología de la música blues jazz rock Adorno sociologia da música blues jazz rock Adorno sociology of music blues jazz rock Fridman, Luis Carlos Fridman, Luis Carlos Blues, Jazz, Rock and Theodor Adorno |
| topic_facet |
Adorno sociología de la música blues jazz rock Adorno sociologia da música blues jazz rock Adorno sociology of music blues jazz rock |
| description |
The article discusses Adorno’s treatment of jazz and popular music, based on the distinction between “serious music” from “light music” (or consumable music), with repercussions on the very structure of works and songs. This study also implies a critical appreciation of what the German philosopher and sociologist called “regression of hearing” in popular music. It extends the discussion of such attribution to blues, jazz and rock in an approach that values musical genres as relevant and significant in the contemporary artistic experience. |
| format |
Artículo publishedVersion |
| author |
Fridman, Luis Carlos Fridman, Luis Carlos |
| author_facet |
Fridman, Luis Carlos Fridman, Luis Carlos |
| author_sort |
Fridman, Luis Carlos |
| title |
Blues, Jazz, Rock and Theodor Adorno |
| title_short |
Blues, Jazz, Rock and Theodor Adorno |
| title_full |
Blues, Jazz, Rock and Theodor Adorno |
| title_fullStr |
Blues, Jazz, Rock and Theodor Adorno |
| title_full_unstemmed |
Blues, Jazz, Rock and Theodor Adorno |
| title_sort |
blues, jazz, rock and theodor adorno |
| publisher |
Facultad de Filosofía y Letras, Universidad de Buenos Aires |
| publishDate |
2021 |
| url |
https://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/8363 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=eloido&d=8363_oai |
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