The autumns of María Elena Walsh: “Slow wonders” in three acts
This paper aims to study the theme of autumn in the literary production of María Elena Walsh across different stages of her life: around 1947 when she publishes Otoño imperdonable, around 1968 when she included her song “El señor Otoño” in her concert “para ejecutivos”, and in her last work, Fantasm...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Facultad de Filosofía y Letras, Universidad de Buenos Aires
2025
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| Acceso en línea: | https://revistascientificas.filo.uba.ar/index.php/filologia/article/view/17428 |
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| Sumario: | This paper aims to study the theme of autumn in the literary production of María Elena Walsh across different stages of her life: around 1947 when she publishes Otoño imperdonable, around 1968 when she included her song “El señor Otoño” in her concert “para ejecutivos”, and in her last work, Fantasmas en el parque, published in 2008. As the years go by, the writer approaches this recurring theme differently throughout her work. The rhythms are different in poetry, song, and prose, showcasing the author’s creative diversity. |
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