Performative Postmemory in the Theatre of Lola Arias

The play My Life After by Lola Arias allows us to explore the characteristics of performative theatre as well as the notion of "postmemory”, prompting us to ask ourselves questions about the aesthetic-political function of theatre as a vehicle to recover collective experiences and offering us a...

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Autor principal: Tarantuviez , Susana
Formato: Artículo revista
Lenguaje:Español
Publicado: Facultad de Filosofía y Letras, Universidad de Buenos Aires 2022
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Acceso en línea:http://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/11419
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spelling I28-R267-article-114192023-10-02T14:14:20Z Performative Postmemory in the Theatre of Lola Arias Posmemoria performática en el teatro de Lola Arias Tarantuviez , Susana Lola Arias My Life After performative theatre memory postmemory theater performance Mi vida después Lola Arias teatro performativo memoria posmemoria teatro performático performance postmemoria The play My Life After by Lola Arias allows us to explore the characteristics of performative theatre as well as the notion of "postmemory”, prompting us to ask ourselves questions about the aesthetic-political function of theatre as a vehicle to recover collective experiences and offering us a greater understanding of the way in which the performing arts contribute to knowing the historical experiences and the artistic practices that re elaborate them. La obra Mi vida después de Lola Arias nos permite explorar las características del teatro performático así como la noción de “posmemoria”, nos estimula a preguntarnos por la función estético-política del teatro, en tanto vehículo para recuperar experiencias colectivas, y nos ofrece una mayor comprensión del modo en que las artes escénicas contribuyen a conocer las experiencias históricas y las prácticas artísticas que las reelaboran. Facultad de Filosofía y Letras, Universidad de Buenos Aires 2022-05-22 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf http://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/11419 10.34096/tdf.n35.11419 telondefondo. Revista de Teoría y Crítica Teatral; Núm. 35 (2022) 1669-6301 spa http://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/11419/10517 Derechos de autor 2022 telondefondo. Revista de Teoría y Crítica Teatral https://creativecommons.org/licenses/by-sa/4.0
institution Universidad de Buenos Aires
institution_str I-28
repository_str R-267
container_title_str telondefondo
language Español
format Artículo revista
topic Lola Arias
My Life After
performative theatre
memory
postmemory
theater
performance
Mi vida después
Lola Arias
teatro performativo
memoria
posmemoria
teatro performático
performance
postmemoria
spellingShingle Lola Arias
My Life After
performative theatre
memory
postmemory
theater
performance
Mi vida después
Lola Arias
teatro performativo
memoria
posmemoria
teatro performático
performance
postmemoria
Tarantuviez , Susana
Performative Postmemory in the Theatre of Lola Arias
topic_facet Lola Arias
My Life After
performative theatre
memory
postmemory
theater
performance
Mi vida después
Lola Arias
teatro performativo
memoria
posmemoria
teatro performático
performance
postmemoria
author Tarantuviez , Susana
author_facet Tarantuviez , Susana
author_sort Tarantuviez , Susana
title Performative Postmemory in the Theatre of Lola Arias
title_short Performative Postmemory in the Theatre of Lola Arias
title_full Performative Postmemory in the Theatre of Lola Arias
title_fullStr Performative Postmemory in the Theatre of Lola Arias
title_full_unstemmed Performative Postmemory in the Theatre of Lola Arias
title_sort performative postmemory in the theatre of lola arias
description The play My Life After by Lola Arias allows us to explore the characteristics of performative theatre as well as the notion of "postmemory”, prompting us to ask ourselves questions about the aesthetic-political function of theatre as a vehicle to recover collective experiences and offering us a greater understanding of the way in which the performing arts contribute to knowing the historical experiences and the artistic practices that re elaborate them.
publisher Facultad de Filosofía y Letras, Universidad de Buenos Aires
publishDate 2022
url http://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/11419
work_keys_str_mv AT tarantuviezsusana performativepostmemoryinthetheatreoflolaarias
AT tarantuviezsusana posmemoriaperformaticaenelteatrodelolaarias
first_indexed 2023-06-27T21:36:28Z
last_indexed 2023-11-08T21:11:58Z
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