Performative Postmemory in the Theatre of Lola Arias
The play My Life After by Lola Arias allows us to explore the characteristics of performative theatre as well as the notion of "postmemory”, prompting us to ask ourselves questions about the aesthetic-political function of theatre as a vehicle to recover collective experiences and offering us a...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Facultad de Filosofía y Letras, Universidad de Buenos Aires
2022
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| Acceso en línea: | http://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/11419 |
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I28-R267-article-114192023-10-02T14:14:20Z Performative Postmemory in the Theatre of Lola Arias Posmemoria performática en el teatro de Lola Arias Tarantuviez , Susana Lola Arias My Life After performative theatre memory postmemory theater performance Mi vida después Lola Arias teatro performativo memoria posmemoria teatro performático performance postmemoria The play My Life After by Lola Arias allows us to explore the characteristics of performative theatre as well as the notion of "postmemory”, prompting us to ask ourselves questions about the aesthetic-political function of theatre as a vehicle to recover collective experiences and offering us a greater understanding of the way in which the performing arts contribute to knowing the historical experiences and the artistic practices that re elaborate them. La obra Mi vida después de Lola Arias nos permite explorar las características del teatro performático así como la noción de “posmemoria”, nos estimula a preguntarnos por la función estético-política del teatro, en tanto vehículo para recuperar experiencias colectivas, y nos ofrece una mayor comprensión del modo en que las artes escénicas contribuyen a conocer las experiencias históricas y las prácticas artísticas que las reelaboran. Facultad de Filosofía y Letras, Universidad de Buenos Aires 2022-05-22 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf http://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/11419 10.34096/tdf.n35.11419 telondefondo. Revista de Teoría y Crítica Teatral; Núm. 35 (2022) 1669-6301 spa http://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/11419/10517 Derechos de autor 2022 telondefondo. Revista de Teoría y Crítica Teatral https://creativecommons.org/licenses/by-sa/4.0 |
| institution |
Universidad de Buenos Aires |
| institution_str |
I-28 |
| repository_str |
R-267 |
| container_title_str |
telondefondo |
| language |
Español |
| format |
Artículo revista |
| topic |
Lola Arias My Life After performative theatre memory postmemory theater performance Mi vida después Lola Arias teatro performativo memoria posmemoria teatro performático performance postmemoria |
| spellingShingle |
Lola Arias My Life After performative theatre memory postmemory theater performance Mi vida después Lola Arias teatro performativo memoria posmemoria teatro performático performance postmemoria Tarantuviez , Susana Performative Postmemory in the Theatre of Lola Arias |
| topic_facet |
Lola Arias My Life After performative theatre memory postmemory theater performance Mi vida después Lola Arias teatro performativo memoria posmemoria teatro performático performance postmemoria |
| author |
Tarantuviez , Susana |
| author_facet |
Tarantuviez , Susana |
| author_sort |
Tarantuviez , Susana |
| title |
Performative Postmemory in the Theatre of Lola Arias |
| title_short |
Performative Postmemory in the Theatre of Lola Arias |
| title_full |
Performative Postmemory in the Theatre of Lola Arias |
| title_fullStr |
Performative Postmemory in the Theatre of Lola Arias |
| title_full_unstemmed |
Performative Postmemory in the Theatre of Lola Arias |
| title_sort |
performative postmemory in the theatre of lola arias |
| description |
The play My Life After by Lola Arias allows us to explore the characteristics of performative theatre as well as the notion of "postmemory”, prompting us to ask ourselves questions about the aesthetic-political function of theatre as a vehicle to recover collective experiences and offering us a greater understanding of the way in which the performing arts contribute to knowing the historical experiences and the artistic practices that re elaborate them. |
| publisher |
Facultad de Filosofía y Letras, Universidad de Buenos Aires |
| publishDate |
2022 |
| url |
http://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/11419 |
| work_keys_str_mv |
AT tarantuviezsusana performativepostmemoryinthetheatreoflolaarias AT tarantuviezsusana posmemoriaperformaticaenelteatrodelolaarias |
| first_indexed |
2023-06-27T21:36:28Z |
| last_indexed |
2023-11-08T21:11:58Z |
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1782031758142734336 |