“Making the Invisible Visible”: Strategies of Representing the Disappeared in the Actions of the Artivist Group Las Mariposas A.U.Ge.:

This paper looks at the strategies used in artistic interventions within Argentine human rights movements to represent the disappeared, focusing on the use of posters, circular marches, and silhouettes. To this end, we analyze the actions carried out by Las Mariposas A.U.Ge., a contemporary artistic...

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Autor principal: Zaldumbide, Rocío Belén
Formato: Artículo revista
Lenguaje:Español
Publicado: Facultad de Filosofía y Letras, Universidad de Buenos Aires 2025
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Acceso en línea:https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/15832
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spelling I28-R267-article-158322025-09-09T22:16:04Z “Making the Invisible Visible”: Strategies of Representing the Disappeared in the Actions of the Artivist Group Las Mariposas A.U.Ge.: "Hacer visible lo invisible": matrices de representación de las desaparecidas en acciones del grupo artivista Las Mariposas A.U.Ge. : Zaldumbide, Rocío Belén Zaldumbide, Rocío Belén Artivism Disappeared Performance Human Rights Strategies of Representation Artivismo Desaparecide Desaparecido Desaparecida Performance Derechos Humanos Matrices de representación This paper looks at the strategies used in artistic interventions within Argentine human rights movements to represent the disappeared, focusing on the use of posters, circular marches, and silhouettes. To this end, we analyze the actions carried out by Las Mariposas A.U.Ge., a contemporary artistic collective, and establish connections with the human rights movements of the late 1970s and 1980s, particularly two actions organized by the Mothers of Plaza de Mayo. With no way to restore the lives of the disappeared, and with no certainty regarding their fate, artistic interventions emerge at the intersection of mourning and political denunciation, offering a powerful means of remembrance and resistance. En el siguiente trabajo nos aproximamos a las matrices de representación de les desaparecides utilizadas en las intervenciones artísticas de lucha por los derechos humanos: el uso de los carteles, las rondas y las siluetas. Para ello analizaremos las acciones de Las Mariposas A.U.Ge., colectivo artístico actual, y buscaremos tender lazos con las acciones de los movimientos de derechos humanos de la década de finales del ‘70 y ‘80, particularmente en dos acciones organizadas por Madres de Plaza de Mayo.  Ante la imposibilidad de recomponer las vidas de les desaparecides, sin la certeza de su vida ni su muerte, se potencia la realización de acciones creativas entre el duelo y la denuncia. Facultad de Filosofía y Letras, Universidad de Buenos Aires 2025-05-05 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/15832 10.34096/tdf.n41.15832 telondefondo. Revista de Teoría y Crítica Teatral; Núm. 41 (2025) 1669-6301 spa https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/15832/15255
institution Universidad de Buenos Aires
institution_str I-28
repository_str R-267
container_title_str telondefondo
language Español
format Artículo revista
topic Artivism
Disappeared
Performance
Human Rights
Strategies of Representation
Artivismo
Desaparecide
Desaparecido
Desaparecida
Performance
Derechos Humanos
Matrices de representación
spellingShingle Artivism
Disappeared
Performance
Human Rights
Strategies of Representation
Artivismo
Desaparecide
Desaparecido
Desaparecida
Performance
Derechos Humanos
Matrices de representación
Zaldumbide, Rocío Belén
Zaldumbide, Rocío Belén
“Making the Invisible Visible”: Strategies of Representing the Disappeared in the Actions of the Artivist Group Las Mariposas A.U.Ge.:
topic_facet Artivism
Disappeared
Performance
Human Rights
Strategies of Representation
Artivismo
Desaparecide
Desaparecido
Desaparecida
Performance
Derechos Humanos
Matrices de representación
author Zaldumbide, Rocío Belén
Zaldumbide, Rocío Belén
author_facet Zaldumbide, Rocío Belén
Zaldumbide, Rocío Belén
author_sort Zaldumbide, Rocío Belén
title “Making the Invisible Visible”: Strategies of Representing the Disappeared in the Actions of the Artivist Group Las Mariposas A.U.Ge.:
title_short “Making the Invisible Visible”: Strategies of Representing the Disappeared in the Actions of the Artivist Group Las Mariposas A.U.Ge.:
title_full “Making the Invisible Visible”: Strategies of Representing the Disappeared in the Actions of the Artivist Group Las Mariposas A.U.Ge.:
title_fullStr “Making the Invisible Visible”: Strategies of Representing the Disappeared in the Actions of the Artivist Group Las Mariposas A.U.Ge.:
title_full_unstemmed “Making the Invisible Visible”: Strategies of Representing the Disappeared in the Actions of the Artivist Group Las Mariposas A.U.Ge.:
title_sort “making the invisible visible”: strategies of representing the disappeared in the actions of the artivist group las mariposas a.u.ge.:
description This paper looks at the strategies used in artistic interventions within Argentine human rights movements to represent the disappeared, focusing on the use of posters, circular marches, and silhouettes. To this end, we analyze the actions carried out by Las Mariposas A.U.Ge., a contemporary artistic collective, and establish connections with the human rights movements of the late 1970s and 1980s, particularly two actions organized by the Mothers of Plaza de Mayo. With no way to restore the lives of the disappeared, and with no certainty regarding their fate, artistic interventions emerge at the intersection of mourning and political denunciation, offering a powerful means of remembrance and resistance.
publisher Facultad de Filosofía y Letras, Universidad de Buenos Aires
publishDate 2025
url https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/15832
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first_indexed 2025-09-13T05:41:49Z
last_indexed 2025-09-13T05:41:49Z
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