The Clown at the Argentinian University: its Professionalization as Part of an Institutionalized Methodology

Clown (as a specific, more theatrical, form of clowning, which is identified by the English denomination to distinguish it from the traditional payaso) is a consolidated line of artistic work in the theatrical field of Buenos Aires, Argentina. However, academic studies have not yet approached it fro...

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Autor principal: Cestau Yannicelli, Victoria Mercedes
Formato: Artículo revista
Lenguaje:Español
Publicado: Facultad de Filosofía y Letras, Universidad de Buenos Aires 2018
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Acceso en línea:http://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/5484
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spelling I28-R267-article-54842023-06-27T21:30:29Z The Clown at the Argentinian University: its Professionalization as Part of an Institutionalized Methodology El clown en la universidad argentina. La profesionalización de un oficio como parte de una metodología institucionalizada Cestau Yannicelli, Victoria Mercedes Clown university training actor theatre clown universidad formación actor teatro Clown (as a specific, more theatrical, form of clowning, which is identified by the English denomination to distinguish it from the traditional payaso) is a consolidated line of artistic work in the theatrical field of Buenos Aires, Argentina. However, academic studies have not yet approached it from the acting perspective. The few existing studies provide a histographical overview, but still do not problematize the actor’s work and training. Considering the arrival of Clown and formal training in circus arts becomes imminent at the Argentinian public university in the 21st Century, this essay problematizes its introduction in the educational field at the university level.  El clown es, en el campo teatral porteño, un oficio consolidado. Sin embargo, desde los estudios académicos no ha sido abordado desde el campo actoral. Los escasos estudios que existen aportan una mirada historiográfica, pero aún no problematizan el trabajo y la formación del actor. La llegada del clown y la formación en circo a la Universidad estatal argentina se hace inminente en el siglo XXI. Problematizaremos su introducción en el campo educativo a nivel universitario.  Facultad de Filosofía y Letras, Universidad de Buenos Aires 2018-12-21 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf http://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/5484 10.34096/tdf.n28.5484 telondefondo. Revista de Teoría y Crítica Teatral; Núm. 28 (2018); 133-140 1669-6301 spa http://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/5484/4920
institution Universidad de Buenos Aires
institution_str I-28
repository_str R-267
container_title_str telondefondo
language Español
format Artículo revista
topic Clown
university
training
actor
theatre
clown
universidad
formación
actor
teatro
spellingShingle Clown
university
training
actor
theatre
clown
universidad
formación
actor
teatro
Cestau Yannicelli, Victoria Mercedes
The Clown at the Argentinian University: its Professionalization as Part of an Institutionalized Methodology
topic_facet Clown
university
training
actor
theatre
clown
universidad
formación
actor
teatro
author Cestau Yannicelli, Victoria Mercedes
author_facet Cestau Yannicelli, Victoria Mercedes
author_sort Cestau Yannicelli, Victoria Mercedes
title The Clown at the Argentinian University: its Professionalization as Part of an Institutionalized Methodology
title_short The Clown at the Argentinian University: its Professionalization as Part of an Institutionalized Methodology
title_full The Clown at the Argentinian University: its Professionalization as Part of an Institutionalized Methodology
title_fullStr The Clown at the Argentinian University: its Professionalization as Part of an Institutionalized Methodology
title_full_unstemmed The Clown at the Argentinian University: its Professionalization as Part of an Institutionalized Methodology
title_sort clown at the argentinian university: its professionalization as part of an institutionalized methodology
description Clown (as a specific, more theatrical, form of clowning, which is identified by the English denomination to distinguish it from the traditional payaso) is a consolidated line of artistic work in the theatrical field of Buenos Aires, Argentina. However, academic studies have not yet approached it from the acting perspective. The few existing studies provide a histographical overview, but still do not problematize the actor’s work and training. Considering the arrival of Clown and formal training in circus arts becomes imminent at the Argentinian public university in the 21st Century, this essay problematizes its introduction in the educational field at the university level. 
publisher Facultad de Filosofía y Letras, Universidad de Buenos Aires
publishDate 2018
url http://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/5484
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first_indexed 2023-06-27T21:34:12Z
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