The mythical character of Medea in Chantal Maillard’s poetic version

The appropriations to which the myth of Medea has been subjected could be summarized in the continuity and ruptures of literary genres, as in the case of the book of poems that concerns this work: Medea by Chantal Maillard (2020). The Belgian-born and Spanish nationalized author has constructed this...

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Autor principal: Delbueno, María Silvina
Formato: Artículo revista
Lenguaje:Español
Publicado: Universidad Nacional del Nordeste. Facultad de Humandiades. Instituto de Letras 2023
Materias:
Medea
Eurípides
recepción
Maillard
Von Trier
Euripides
reception
Acceso en línea:https://revistas.unne.edu.ar/index.php/clt/article/view/6625
Aporte de:
Revistas UNNE - Universidad Nacional del Noroeste (UNNE) de Universidad Nacional del Nordeste
id I48-R154-article-6625
record_format ojs
spelling I48-R154-article-66252023-09-22T15:49:05Z The mythical character of Medea in Chantal Maillard’s poetic version El personaje mítico de Medea en la versión poética de Chantal Maillard Delbueno, María Silvina Medea Eurípides recepción Maillard Von Trier Medea Euripides reception Maillard Von Trier The appropriations to which the myth of Medea has been subjected could be summarized in the continuity and ruptures of literary genres, as in the case of the book of poems that concerns this work: Medea by Chantal Maillard (2020). The Belgian-born and Spanish nationalized author has constructed this work based on the eponymus tragedy Euripides (431 a.C) and from the film Medea by Lars Von Trier (1988). Just as Maillard has decided, her elderly and returning protagonist tells us her story. She starts from the point where Euripides left off in the sequence of the filicide, in order to continue inquiring about the conflicts that belong to us as human beings, in a particularly acute and disturbing way, with a powerful and poignant voice that expresses the pain as a method of survival. Las apropiaciones de las que ha sido objeto el mito de Medea podrían resumirse en la continuidad y en las rupturas de los géneros literarios, como es el caso del poemario que nos ocupa en este trabajo, Medea de Chantal Maillard (2020). La autora belga, nacionalizada española, ha construido esta obra a partir de la tragedia epónima de Eurípides (431 a.C) y del film Medea de Lars Von Trier (1988). Tal como lo ha decidido Maillard, su protagonista ya anciana y de regreso, nos cuenta su historia. Comienza en el punto en que lo dejó Eurípides, en la secuencia del filicidio, para seguir indagando acerca de los conflictos que nos pertenecen como seres humanos, de modo particularmente agudo y perturbador, con una voz poderosa y conmovedora que expresa el dolor como una manera de supervivencia. Universidad Nacional del Nordeste. Facultad de Humandiades. Instituto de Letras 2023-05-31 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artículo revisado por pares application/pdf https://revistas.unne.edu.ar/index.php/clt/article/view/6625 10.30972/clt.0206625 Cuadernos de Literatura; Núm. 20 (2023): Mayo; e2006 2684-0499 0326-5102 spa https://revistas.unne.edu.ar/index.php/clt/article/view/6625/6119 Derechos de autor 2023 Cuadernos de Literatura
institution Universidad Nacional del Nordeste
institution_str I-48
repository_str R-154
container_title_str Revistas UNNE - Universidad Nacional del Noroeste (UNNE)
language Español
format Artículo revista
topic Medea
Eurípides
recepción
Maillard
Von Trier
Medea
Euripides
reception
Maillard
Von Trier
spellingShingle Medea
Eurípides
recepción
Maillard
Von Trier
Medea
Euripides
reception
Maillard
Von Trier
Delbueno, María Silvina
The mythical character of Medea in Chantal Maillard’s poetic version
topic_facet Medea
Eurípides
recepción
Maillard
Von Trier
Medea
Euripides
reception
Maillard
Von Trier
author Delbueno, María Silvina
author_facet Delbueno, María Silvina
author_sort Delbueno, María Silvina
title The mythical character of Medea in Chantal Maillard’s poetic version
title_short The mythical character of Medea in Chantal Maillard’s poetic version
title_full The mythical character of Medea in Chantal Maillard’s poetic version
title_fullStr The mythical character of Medea in Chantal Maillard’s poetic version
title_full_unstemmed The mythical character of Medea in Chantal Maillard’s poetic version
title_sort mythical character of medea in chantal maillard’s poetic version
description The appropriations to which the myth of Medea has been subjected could be summarized in the continuity and ruptures of literary genres, as in the case of the book of poems that concerns this work: Medea by Chantal Maillard (2020). The Belgian-born and Spanish nationalized author has constructed this work based on the eponymus tragedy Euripides (431 a.C) and from the film Medea by Lars Von Trier (1988). Just as Maillard has decided, her elderly and returning protagonist tells us her story. She starts from the point where Euripides left off in the sequence of the filicide, in order to continue inquiring about the conflicts that belong to us as human beings, in a particularly acute and disturbing way, with a powerful and poignant voice that expresses the pain as a method of survival.
publisher Universidad Nacional del Nordeste. Facultad de Humandiades. Instituto de Letras
publishDate 2023
url https://revistas.unne.edu.ar/index.php/clt/article/view/6625
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first_indexed 2024-08-21T22:37:59Z
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