The Insufficient Form: Critical Drifts on Sound and Expansion in Argentine Poetry

This article is meant to approach the concept of expansion and its zones of theoretical influence –object of discussion of the present critique–. These are not new questions, much less problems circumscribed to the phenomenon of poetry itself. Paradoxically, these are attempts at conceptualization i...

Descripción completa

Guardado en:
Detalles Bibliográficos
Autor principal: Garione, Flavia
Formato: Artículo revista
Lenguaje:Español
Publicado: Universidad Nacional del Nordeste. Facultad de Humandiades. Instituto de Letras 2023
Materias:
poesía
sonido
crítica
expansión
poetry
sound
critique
expansion
Acceso en línea:https://revistas.unne.edu.ar/index.php/clt/article/view/6633
Aporte de:
Revistas UNNE - Universidad Nacional del Noroeste (UNNE) de Universidad Nacional del Nordeste
id I48-R154-article-6633
record_format ojs
spelling I48-R154-article-66332023-09-22T15:49:05Z The Insufficient Form: Critical Drifts on Sound and Expansion in Argentine Poetry La forma insuficiente: derivas críticas sobre sonido y expansión en la poesía argentina Garione, Flavia poesía sonido crítica expansión poetry sound critique expansion This article is meant to approach the concept of expansion and its zones of theoretical influence –object of discussion of the present critique–. These are not new questions, much less problems circumscribed to the phenomenon of poetry itself. Paradoxically, these are attempts at conceptualization in which poetry tends to disappear as an object of critical interest. Behind the narrative, the audiovisual or sound piece, the artistic installation, the performance, the electronic works or the digital literature, a poem seems to be too simple in its objectives and in the composition of its materialities: a text, a microphone, an amplifier, or not even that, taking into account that we could be faced with the experience of listening to a voice in an empty space. So, first of all, we recapitulate some discussions that seem central to us in relation to the idea of expansion in contemporary art. This allows us to update, towards the end of this text, some questions about poetry and its heterogeneous present, deceptively simple and difficult to grasp. More than anything, a certain susceptibility that has to be read and analyzed from the text or the book; or sometimes, when other supports and media intervene, through the idea of the expansive and the non-specific, among other categories that are frequently heard in recent years. Este artículo intentará aproximarse al concepto de expansión y sus zonas de influencia teórica –objeto de discusión de la crítica del presente–. No se trata de interrogantes nuevos, ni mucho menos de problemas que se circunscriben al fenómeno de la poesía en sí. Paradójicamente, se trata de intentos de conceptualización en los que la poesía suele desaparecer como objeto de interés crítico. Detrás de la narrativa, la pieza audiovisual o sonora, la instalación artística, la performance, las obras electrónicas o la literatura digital, un poema pareciera ser demasiado simple en sus objetivos y en la composición de sus materialidades: un texto, un micrófono, un amplificador, o ni siquiera eso, teniendo en cuenta que podríamos encontrarnos ante la experiencia de escucha de una voz en un espacio vacío. Entonces, en primer lugar, haremos una recapitulación de algunas discusiones que nos parecen centrales en relación a la expansión en el arte contemporáneo. Esto nos permitirá actualizar, sobre el final, algunas preguntas sobre la poesía y su presente heterogéneo, engañosamente simple y difícil de asir. Más que nada, cierta susceptibilidad que tiende a ser leída y analizada a partir del texto o del libro; o en ocasiones, cuando intervienen otros soportes y medios, a través de la idea de lo expansivo y lo inespecífico, entre otras categorías que suelen escucharse con frecuencia en estos últimos años. Universidad Nacional del Nordeste. Facultad de Humandiades. Instituto de Letras 2023-05-31 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artículo revisado por pares application/pdf https://revistas.unne.edu.ar/index.php/clt/article/view/6633 10.30972/clt.0206633 Cuadernos de Literatura; Núm. 20 (2023): Mayo; e2013 2684-0499 0326-5102 spa https://revistas.unne.edu.ar/index.php/clt/article/view/6633/6126 Derechos de autor 2023 Cuadernos de Literatura
institution Universidad Nacional del Nordeste
institution_str I-48
repository_str R-154
container_title_str Revistas UNNE - Universidad Nacional del Noroeste (UNNE)
language Español
format Artículo revista
topic poesía
sonido
crítica
expansión
poetry
sound
critique
expansion
spellingShingle poesía
sonido
crítica
expansión
poetry
sound
critique
expansion
Garione, Flavia
The Insufficient Form: Critical Drifts on Sound and Expansion in Argentine Poetry
topic_facet poesía
sonido
crítica
expansión
poetry
sound
critique
expansion
author Garione, Flavia
author_facet Garione, Flavia
author_sort Garione, Flavia
title The Insufficient Form: Critical Drifts on Sound and Expansion in Argentine Poetry
title_short The Insufficient Form: Critical Drifts on Sound and Expansion in Argentine Poetry
title_full The Insufficient Form: Critical Drifts on Sound and Expansion in Argentine Poetry
title_fullStr The Insufficient Form: Critical Drifts on Sound and Expansion in Argentine Poetry
title_full_unstemmed The Insufficient Form: Critical Drifts on Sound and Expansion in Argentine Poetry
title_sort insufficient form: critical drifts on sound and expansion in argentine poetry
description This article is meant to approach the concept of expansion and its zones of theoretical influence –object of discussion of the present critique–. These are not new questions, much less problems circumscribed to the phenomenon of poetry itself. Paradoxically, these are attempts at conceptualization in which poetry tends to disappear as an object of critical interest. Behind the narrative, the audiovisual or sound piece, the artistic installation, the performance, the electronic works or the digital literature, a poem seems to be too simple in its objectives and in the composition of its materialities: a text, a microphone, an amplifier, or not even that, taking into account that we could be faced with the experience of listening to a voice in an empty space. So, first of all, we recapitulate some discussions that seem central to us in relation to the idea of expansion in contemporary art. This allows us to update, towards the end of this text, some questions about poetry and its heterogeneous present, deceptively simple and difficult to grasp. More than anything, a certain susceptibility that has to be read and analyzed from the text or the book; or sometimes, when other supports and media intervene, through the idea of the expansive and the non-specific, among other categories that are frequently heard in recent years.
publisher Universidad Nacional del Nordeste. Facultad de Humandiades. Instituto de Letras
publishDate 2023
url https://revistas.unne.edu.ar/index.php/clt/article/view/6633
work_keys_str_mv AT garioneflavia theinsufficientformcriticaldriftsonsoundandexpansioninargentinepoetry
AT garioneflavia laformainsuficientederivascriticassobresonidoyexpansionenlapoesiaargentina
AT garioneflavia insufficientformcriticaldriftsonsoundandexpansioninargentinepoetry
first_indexed 2024-08-21T22:38:01Z
last_indexed 2024-08-21T22:38:01Z
_version_ 1808038501076172800

Ejemplares similares